My research found that people experience a weaker sense of ownership over their digital possessions and perceive them as less meaningful than physical ones.
Articles on Streaming
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On ‘FAST TV’ – free ad-supported streaming TV – you can watch Border Security non-stop, Mythbusters on a loop, or hours and hours of Baywatch.
Research on streaming maths classes shows we need to think much more carefully about this very common practice.
For some musical artists, TikTok has become a beacon in an otherwise dismal digital streaming landscape.
Stan’s new comedy-crime series is loosely inspired by the mysterious disappearance of Paddy Moriarty from the tiny town of Larrimah, Northern Territory.
In the past, adolescents’ musical palettes were dominated by the Top-40 artists, creating a widely shared – if perhaps narrow – repertoire of musical knowledge.
From Russian Doll to Severance, a spate of conceptual TV series are rehearsing thought experiments challenging our assumptions about the world.
Love is in the air with three of this month’s picks. But if you’re looking for something colder and darker, we’ve got that covered too.
All students who apply to university need ‘U’ courses, but Toronto-area research reveals few students with zero Grade 12 ‘U’ courses apply for any post-secondary education at all.
To understand the changing nature of music listening, I interviewed users of streaming services about how they listen to music.
Like their cable predecessors, streaming companies have lured customers in with low rates and promises of a better viewing experience. Now they’re cashing in.
A Savage Christmas would give Crackers a run for its money as the worst Australian Christmas film to date.
Through action films, dramas and kids’ cartoons, right-wing activists are working to build their own alternative entertainment universe insulated from Hollywood’s purported liberal biases.
The new Binge series Strife is a fictionalised adaptation of Mia Freedman’s 2017 memoir.
New legislation will require smart TV manufacturers to ensure we can easily find local broadcasters when we turn on our TVs.
There’s still time to get up to date on your binge watching, so you can be ready if anyone at an end-of-year party asks if you’ve seen anything good lately.
The streaming platform has invested heavily in TV and films from Brazil, South Korea and France.
There are so many pointless references in this show that a lot of the meaning gets lost.
Studios say the number is unrealistic − that it amounts to actors not assuming any financial risk for content that flops. But actors simply want to adapt existing payout models to changing technology.
There’s less sex but more exploration as the Moordale crew embark on new adventures in the show’s last season.
Top contributors
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Lecturer, Digital Communication, RMIT University
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Associate Professor, Film Screen & Animation, Queensland University of Technology
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Associate Professor of Screen Media, Victoria University
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Senior Lecturer in Screen Studies, Adelaide University
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Senior Lecturer in English and Cultural Studies, University of Canterbury
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Professor & Dean, School of Media and Communication, RMIT University
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PhD Candidate in Film Studies, Deakin University
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor in Media, University of Technology Sydney
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Lecturer in English, University of Canterbury
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Professor of Media Studies, Queensland University of Technology
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Professor of English Literature, University of Southern Queensland
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Dennis Altman is a Friend of The Conversation.
Vice Chancellor's Fellow and Professorial Fellow, Institute for Human Security and Social Change, La Trobe University
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Senior Lecturer in Media, Adelaide University
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Vice-Chancellor's Research fellow, RMIT University