Netflix’s live-action adaptation of Eiichiro Oda’s One Piece, the enormously successful Japanese manga and anime franchise, brings the series to a truly global audience.
Articles on Streaming
Displaying 101 - 120 of 229 articles
The enjoyment of the show is not in working out who did it but in the eccentricities of the ever-turning plot.
Like other recent queer rom-coms that pitched to the mainstream, Red, White & Royal Blue explains gay contexts to non-queer audiences.
Terry Pratchett’s novels have been adapted for the screen 11 times now. Why are his novels so hard to get right?
Given the hypocritical and exploitative treatment of artists by entertainment industries, do we really have moral obligations to pay for streaming services?
These days people prefer to simply have access to goods and services, rather than outright owning them. But what does this mean for the future of consumerism?
The Hollywood actors’ strike is a watershed moment for the entertainment industry, marking a turning point for the future of labour in the arts.
Some of the ways that streaming has transformed the industry are jeopardizing actors’ livelihoods.
As part of recent challenges, multiple services have removed TV and film from their libraries – in many cases, meaning they are gone forever, inaccessible to any fan.
American Born Chinese is a recent addition to stories of young people who grapple with what it means to be successful.
Did you choose a thriller from four years-ago to watch on your own or were you guided there by subtle tactics?
Catherine II, holds a significant place in Russian history. The Great doesn’t pretend to adhere closely to the historical record.
Understanding how Netflix, to date, has fostered screen sector equity and capacity matters as the CRTC consults about Canadian and Indigenous content.
The backlash against Netflix’s documentary asks the question of how brands should take more responsibility when representing other cultures.
The writers strike lays bare all the ills of working on one of the lowest rungs of the entertainment industry.
A battle is looming between broadcasters, streamers and manufacturers for control over our TV remote controls.
The Online Streaming Act is set to soon become law in Canada. The act is a step in the right direction, but more needs to be done to support BIPOC content.
Welsh language heist drama, Dal y Mellt, is being streamed on Netflix with the title, Rough Cut.
‘Happy’ music is usually written in a major key with a bright tone, featuring instruments with a bright timbre, such as trumpets or electric guitars.
Their popularity can’t be explained by the nostalgia of baby boomers or superior sound quality. So what’s going on?
Top contributors
-
Lecturer, Digital Communication, RMIT University
-
Associate Professor, Film Screen & Animation, Queensland University of Technology
-
Associate Professor of Screen Media, Victoria University
-
Senior Lecturer in Screen Studies, Adelaide University
-
Senior Lecturer in English and Cultural Studies, University of Canterbury
-
Professor & Dean, School of Media and Communication, RMIT University
-
PhD Candidate in Film Studies, Deakin University
-
Lecturer in Communications and Media, University of Notre Dame Australia
-
Associate Professor in Media, University of Technology Sydney
-
Lecturer in English, University of Canterbury
-
Professor of Media Studies, Queensland University of Technology
-
Professor of English Literature, University of Southern Queensland
-
Dennis Altman is a Friend of The Conversation.
Vice Chancellor's Fellow and Professorial Fellow, Institute for Human Security and Social Change, La Trobe University
-
Senior Lecturer in Media, Adelaide University
-
Vice-Chancellor's Research fellow, RMIT University