AI’s apparent inability to generate interesting and unique images and videos is becoming harder to ignore.
Articles on Graphic design
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A group of scholars explore how to prepare the next generation of creatives to innovate within human-AI collaborative frameworks.
Few know Warhol started out designing quirky printed fabrics, but they reveal the origins of his iconic style.
A scholar of design who researches brand campaigns critiques the social media platform’s new look.
Two sociologists break down how cases related to plaintiffs’ beliefs and LGBTQ+ rights have fared in federal courts over several decades.
Barbara Kruger’s ‘Untitled (Your body is a battleground)’ has seamlessly transitioned to social media, inspiring a new generation of media-savvy artists and activists.
The text-to-art program DALL-E 2 generates images from brief descriptions. But what does it mean to make art when an algorithm automates so much of the creative process itself?
The iconic image may have originated with a meat supplier named Samuel Wilson. Or not.
An international volunteer team of marketing, branding, graphic design and media experts collaborated to position Vote From Abroad as a destination for out-of-country American voters.
Far from alarmist, images of the coronavirus seem to communicate patience and trust in science – both of which will be needed in the coming weeks and months.
A retrospective exhibition displays the key works from the life and times of activist and artist Judy Seidman. She has used political posters as a galvanising force in the fight against injustice.
What makes people more likely to trust a climate change message? If it looks too corporate, it’s more likely to fail.
Often overshadowed by her famous brothers, Ruby Lindsay found ways to challenge the restrictive gender roles of early-20th Century Australia.
Through their text and graphic design, business-school logos are signs that “speak” to their stakeholders and the public at large, communicating identity, values and promises.
In striving to reduce costs and boost profits, firms must be wary of stripping intangible assets – such as iconic design.
The generation of designers broke out of their studios and took the business world by storm. Their skills could also be turned to bigger world problems.
Big heritage shows facing the tyranny of diehard fans can end up taking no risks. The story of how the 12th Doctor’s screen credits came about is an object lesson in how to turn this around.
What makes a design “classic”? That it stands the test of time through continued use, critical recognition and popular approval? Or is it simply that its vision and innovation results in it being regarded…
Top contributors
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Senior Lecturer, Head of Department Design Innovation, Maynooth University
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Dean: Faculty of Transdisciplinary Innovation, University of Technology Sydney
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Lecturer, Graphic Design, Edinburgh Napier University
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Principal Teaching Fellow, Deputy Head of School of Design, University of Leeds
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Professor, Kedge Business School
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Lecturer in Communication Design, Swinburne University of Technology
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Associate Professor of Sociology, University of Nebraska-Lincoln
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Associate Professor of Sociology and Women's and Gender Studies, University of Nebraska-Lincoln
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Associate Professor of Advertising and Public Relations, University of Tennessee
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Professor of Africana Studies and Art & Design, University of Delaware
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Affiliate Faculty of Computer Science, University of Washington
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Lecturer, UNSW
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Curator and Director of the Van Every/Smith Galleries, Davidson College
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Assistant Professor in Textile Design, School of Textiles and Design, Heriot-Watt University
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Associate Professor of Graphic Design, Iowa State University