Articles on TV review
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September’s lineup features a fresh take on the classic ‘remarriage comedy’ and the latest season of Ted Lasso.
The new drama starring Hugo Weaving and Shabana Azeez finds humour and humanity in one of the most chaotic places.
From comedian Anne Edmonds, Bad Company doesn’t quite know who it is for, and doesn’t understand the people it is making fun of.
The show reminds us how good Australian family programming can be, if we invest in it.
Whether you’re chasing escapism, comfort, or something more substantial, these titles new to streaming are worth pressing play on.
Can the diverse pack of dog lovers that gather at the local park draw Roland out of his shell – and deliver some laughs along the way?
There’s been a lot of great releases in 2025 but these three have left a lasting impression.
Alongside some fresh Christmas flicks, there’s another ‘Carol’ featured in this month’s wrap – but this one is miserable, and trying to evade aliens.
A sexually charged film, animated animal hijinks, an ode to the 80s come to an end, stories of collapse and paintings of Paris old and new.
Vince Gilligan, who also made Breaking Bad, says he didn’t intend to make Plur1bus ahout AI – yet the links are undeniable.
This adaptation dials down the political intrigue and ramps up the action.
Between murder, cover-ups and Freo’s ocean views, this First Nations-led production is resplendant.
Honey traps are laid, cyber attacks are enacted and it seems MI5 have to rely upon Slough House to bail them out once again.
By placing menopause at the centre of a punk-inflected drama, Wainwright opens a new televisual space for midlife women.
With a powerhouse performance from Aisha Dee and strong visual design, Watching You is a thriller that critiques our voyeuristic culture.
The show fails to make us connect with the Schwoopers whose problems end up seeming small and insignificant.
Two films that play with time, an environmental art show, a guilty streaming pleasure and a cosy game
Teresa Palmer leads a stellar local cast in this gripping new six-part series.
The Women’s prize winning book, two wildly different iterations of Scotland on screen, the meeting of two great Regency minds and a big win for us!
Carl Mork is depressed, traumatised and unlikeable. His team are a bit odd too. Surprisingly, they’re all very good at their jobs.



















