The new drama starring Hugo Weaving and Shabana Azeez finds humour and humanity in one of the most chaotic places.
Articles on Australian TV
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Now streaming on Stan, The F Ward is the latest Australian medical drama. And it’s a good one.
The new Stan sports drama is brimming with cliches. But there are some standouts among the cast.
With their new independent streaming platform, Aunty Donna prove the future of ‘cooked’ Australian comedy is online.
The show reminds us how good Australian family programming can be, if we invest in it.
No longer confined to social media feeds, the misogynistic ‘red pill’ worldview is now being amplified on Australian broadcast television.
Matchbox Pictures, the production house behind shows The Survivors and Stateless, is being shut after 18 years of business.
Between murder, cover-ups and Freo’s ocean views, this First Nations-led production is resplendant.
Much remains uncertain about how the legislation will practically affect streamers such as Netflix, Prime Video and Disney+.
With a powerhouse performance from Aisha Dee and strong visual design, Watching You is a thriller that critiques our voyeuristic culture.
New research uncovers stories of resilience, entrepreneurship and thriving cultural creativity across seven decades of Australian TV history.
Even though you see the story coming, it arrives fresh and surprising – set against a stunning coastal backdrop.
When twentysomething Ash arrives in Melbourne seeking a ‘new version’ of himself, he’s fleeing a country town and a joyless upbringing.
Teresa Palmer leads a stellar local cast in this gripping new six-part series.
Australian TV has changed significantly over the past 15 years, with a boom in queer stories since the 2010s. New research sheds light on how these changes happened.
1975 was a big year, with the end of the Vietnam war and the dramatic dismissal of Gough Whitlam. And finally, Australians could watch it in colour.
The terms ‘gritty’ and ‘real’ have come to characterise Aussie teen drama. Invisible Boys is no exception, and will give you something to challenge your worldview.
This PR crisis management comedy will take you on a riveting exploration of marketing, language and the state of Australian media.
Commercial TV broadcasters once commissioned around 300 hours of Australian drama each year. Last year, they commissioned just nine hours of new, non-soap drama.
The new musical by Paul Hodge retains the uniquely Australian voice of the beloved original material – with plenty to love for younger viewers.
Top contributors
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Lecturer, Digital Communication, RMIT University
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Former Honorary Research Associate, School of Media and Communication, RMIT University
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Associate Professor in Cinema Studies, RMIT University
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Associate Professor in Media, RMIT University
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Lecturer, School of Media and Communication, RMIT University
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Professor in Digital Media and Cutural Studies, Queensland University of Technology
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Professor of History, President, Australian Historical Association, Macquarie University
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Lecturer in Communications and Media, University of Notre Dame Australia
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Lecturer, Learning & Teaching Innovation, Flinders University
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Associate Professor of Communication and Media, University of Southern Queensland
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Professor of Media Studies, Queensland University of Technology
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Honorary Professor of Communication and Media Studies, University of Wollongong
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Associate Professor and Cinema and Screen Studies Discipline Leader, Swinburne University of Technology
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Dean of Research (Creative), Adelaide University
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Associate Professor of Screen Media, Victoria University