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Tidelands, is a speculative story about half-human/half-siren beings who live in the coastal Queensland town of Orphelin Bay. Unfortunately, it is not always a success.
‘Heavy’ media multitaskers performed worse on attention and memory tests – and some even had structural brain differences.
Recent rumours of Apu’s demise may be exaggerated but his presence has been slowly written out of ‘The Simpsons,’ and many feel it is time for the stereotyped Indian-American character to go.
The new Sabrina joins a host of other witches in pop culture, a witch revival that reflects more radical feminist politics.
While the figures may seem alarming, we should remember that, unlike free-to-air TV, subscription video-on-demand services are not regulated for local content.
Some viewers will object to the reality TV format of How ‘Mad’ Are You, but the show achieves its aim of breaking down stigma.
Depression, addiction and misanthropy in cartoon form.
Perfectionism-driven social anxiety means young men will also be susceptible to ideological scripting of behaviour on TV.
While thousands have called for the show to be cancelled, Insatiable actually does a good job of depicting the complex nature of disordered eating, sexuality and female pleasure.
With nostalgic flashbacks, epic training montages and most of the original cast, Cobra Kai is faithful to the Karate Kid film – all while delivering cutting-edge contemporary social commentary.
Shakespeare can survive a little chipping away at his 400-year reputation.
Buffy the Vampire Slayer, a cult classic, was a series with a diversity problem. News of a new season provides an opportunity for a different kind of storytelling.
Mad, bad or dangerous – the gripping true crime story of Grace Marks, who caused a sensation in the 19th century and still holds fascination today.
Dead Lucky tackles issues around worker exploitation, gambling, international students and domestic violence. But it is let down by underdeveloped characters.
Ninja Warrior is the latest attempt to appropriate an ancient artform for a mass audience. But the ancient ninja moved in silence. Anonymous, he never bothered to develop signature dance moves.
The ABC’s reality TV show Everyone’s A Critic puts ‘everyday’ Australians in galleries. It is a compelling premise for an art show, but a tad disappointing.
A scholar of the media business tries to make sense of the flurry of merger news lately, and why the contested tie-up between AT&T and Time Warner will profoundly reshape the American media landscape.
RuPaul’s Drag Race, now in its tenth season, is an extraordinary success. But the show valorises a specific form of masculinity and is still grappling with a rapidly changing discourse around gender.
The HBO series was a big hit in 2008, but is it still relevant two decades on?
Top contributors
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Associate Professor in Media, University of Technology Sydney
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Lecturer, Digital Communication, RMIT University
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Professor of Media Studies, Queensland University of Technology
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Professor of Television & Media Studies, University of Leeds
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Reader in Modern Political History, Loughborough University
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Associate Professor in Literary Studies, Monash University
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Senior Lecturer in Media, Film and Cultural Studies, University of Sussex
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Senior Lecturer in Korean Studies, University of Sheffield
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Former Honorary Research Associate, School of Media and Communication, RMIT University
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Dean of Research (Creative), Adelaide University
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Professor of Film Studies, Bangor University
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Scholar in Media and Cultural Studies, Macquarie University
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Senior Lecturer in English and Cultural Studies, University of Canterbury
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Associate Professor of Screen Media, Victoria University
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Senior Lecturer in American Studies, University of Sydney