Despite the diversity of art and performance on display at the tenth Ten Days on the Island festival, key themes emerge: life, death, and Tasmania’s colonial history.
Articles on Festivals
Displaying 41 - 60 of 81 articles
Live performances account for more than 40 percent of their income, while profits from streaming and record sales amount to only 5 percent of their earnings.
Halloween walks a thin line between entertainment and offence - so how can we engage with it ethically?
Recent developments mean that touting on an industrial scale could become more difficult.
Wellies at the ready, these researchers have been digging up the truth about the festival business.
If intelligently managed, festivals attract substantial numbers of LGBT tourists to regional and rural destinations, injecting additional income into the local economies.
Urban festivals built on community involvement can reinvigorate places and create a shared sense of place and purpose that lasts long after the event is over.
Artworks in The Big Anxiety festival in Sydney shine a light on life from an autistic point of view, emphasising sensory experience.
Kuro Tanino’s Dark Inn is a contemporary take on traditional Japanese theatre, contemplating the darkness of desire.
Fifty years of the Caribbean Carnival in Toronto has had a significant impact on Canada’s cultural institutions. It’s also helped educate Canadians about Black history.
The annual Burning Man Festival creates a temporary city in Nevada’s Black Rock Desert. In many ways, it’s an innovation lab for rethinking cities.
Science festivals are booming and with their mixture of music and art they are opening the field to a whole new audience who are keen to be amazed.
Media reports tend to link violence to illicit drugs when alcohol is far more likely to be to blame.
The graphic novel has become a literary phenomenon, but the name doesn’t adequately describe the medium’s flexibility, diversity and potential.
Outside the capital cities and the coastal fringes, the towns and people of rural and regional Australia have had to be inventive to get through the tough times.
Subculture is on the decline, according to many pundits. But a trip to Whitby on certain weekends would demonstrate otherwise.
In creativity, skill and daring, the productions on offer embodied an energy and imagination comparable to, and at times exceeding, anything prestigious European-focused international festivals might present.
From a dancer moving against a wash of static, to a show that takes the audience hostage, Adelaide’s OzAsia Festival celebrates both high art and high energy performances.
From music festivals to motor racing –commercial events are taking over public parks. Here’s what can be done.
Jump on the Glastonbury bus, bring your tent back home afterwards, and promote long term behaviour change.
Top contributors
-
Research Affiliate, Monash University
-
Professor, Faculty of Kinesiology and Recreation Management, University of Manitoba
-
Lecturer in Music Industry and Popular Culture, RMIT University
-
Associate Professor in Marketing, Business and Society, University of Bath
-
Associate Professor and Principal Fellow in Urban Risk and Resilience, The University of Melbourne
-
Adjunct Professor, Southern Cross University
-
Reader in Popular Music, University of Glasgow
-
Reader In French Cinema, Queen Mary University of London
-
Reader in Music, Politics and Society, Newcastle University
-
Reader in Tourism and Events, University of Westminster
-
Professor of Creative Arts, Griffith University
-
Professor in Management,, University of Glasgow
-
Associate Professor of Graphic Design, Penn State
-
PhD Candidate, University of Liverpool
-
Professeur économie-gestion, École polytechnique