Why the prevalence of neurodivergent protagonists in police procedurals? And what are viewers gaining by watching stories predicated on this form of difference?
Articles on Crime drama
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Between murder, cover-ups and Freo’s ocean views, this First Nations-led production is resplendant.
Carl Mork is depressed, traumatised and unlikeable. His team are a bit odd too. Surprisingly, they’re all very good at their jobs.
Based on true events, the series chronicles Joan’s transformation into the most infamous woman in London’s criminal underworld.
As one woman’s life ends, another begins in this knotty and beautifully-wrought murder mystery
The new series on Stan is most successful through its links to rural crime noir, pulling apart the vulnerability and deception of this small town.
Though abortion is appearing in more plot lines, many programs still aren’t accurately depicting what the reality of abortion access looks like in America today.
In choosing to centre her drama on a middle-aged woman Sally Wainwright drew the extraordinary from the ordinary. Two experts in her work explain the brilliance of the Happy Valley final.
Evidence confirms that minimum-force policing is safer and more effective than the style of policing so colourfully depicted in US crime shows and movies like Die Hard.
Not so dramatic and a hell of a lot more methodical, the business of weeding out corruption in the British Police force is quite different to that in Line of Duty.
The spectre of the Troubles provides fertile drama for cop shows.
Sure, she has quirks. But TV detective Vera is no amateur. And Brenda Blethyn’s embodiment of her evokes a strong sense of place.
Police officers put themselves and their families in harm’s way in order to stop crime and protect us. But who protects them?
Go on – you know you love a police procedural. Here are some of the best on offer.
DNA evidence has a profile which it might not deserve.
Top contributors
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SL in Forensic science, Northumbria University, Newcastle
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Reader, School of Law, Northumbria University, Newcastle
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Professor of Television & Media Studies, University of Leeds
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Honorary Fellow, Deakin University
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Associate Professor in Cinema Studies, RMIT University
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Senior Lecturer in Policing, Institute of Policing, University of Staffordshire
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Senior Lecturer at Institute of Policing, University of Staffordshire
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Associate Professor, Criminology, Deakin University
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Emeritus Professor of Political Psychology, Bournemouth University
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Researcher, University of California, San Francisco
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Lecturer in Creative Writing, Glasgow Caledonian University
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Associate Professor in Television Studies, University of Bristol
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Honorary Professor of Communication and Media Studies, University of Wollongong
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Professor of Film and Television, University of Leeds
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Professor of Contemporary Irish Literature, University of Salford