The latest trial of the Theatre Green Book Australia proves sustainability doesn’t have to be a constraint; it could be a new normal.
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Standouts this month include the latest season of The Diplomat, addictive British reality TV and a political thriller starring Rebecca Ferguson.
Cory Taylor’s 2016 book Dying: A Memoir spoke of her cancer diagnosis and impending death. Now it’s on stage with the Melbourne Theatre Company.
Since the game launched in 1935, 3,400 different versions of Monopoly have been issued worldwide.
Tia Billinger’s viral stunt shows us the price women pay for power and influence.
In their new Netflix series, comedy duo Superwog take on daddy issues and the manosphere.
English model Jean Shrimpton became an accidental influencer after attending Derby Day in 1965.
Haunted was a groundbreaking documentary that took the paranormal to prime time in Australia.
For the last few millennia, the changing of the seasons has been marked by Celtic peoples with festivals. And some of the costumes were genuinely terrifying.
Sorry, Baby and After the Hunt have put graduate research – and its ethical grey areas – on the screen.
Mike Hewson’s The Key’s Under the Mat is one of the most ambitious and intelligent works of public art created in Australia in recent years.
5 STEPS FOR BETTER LIVING, MAXIMUM GAINS AND MANIFESTING YOUR MOST OPTIMISED SELF!! is part of the Adelaide Film Festival.
Charles Gounod’s Roméo et Juliette is given a significant new production from State Opera South Australia, West Australian Opera and the Irish National Opera.
Generative AI is known to mirror sexist and racist stereotypes, but it also carries a colonial bias that is reinforcing outdated ideas about the past.
Portland’s dancing frogs remind us how powerful it is to challenge tyranny with humour.
The 2025 Tarnanthi Festival of Contemporary Aboriginal and Torres Strait Islander at the Art Gallery of South Australia is titled Too Deadly.
‘He is the sovereign master of his piano; he knows all its resources; he makes it speak, moan, cry, and roar under fingers of steel,’ wrote one critic at the time.
For decades, various kinds of disability have been used as ‘scary’ metaphors in horror. But a new wave of filmmakers is challenging this problematic framing.
Meow Meow’s The Red Shoes is her latest interpretation of a Hans Christian Andersen fairytale, told through the story of a showgirl.
The latest release in Kim Kardashian’s clothing brand is a mini thong adorned with fake pubic hair. Such ‘merkins’ date further back than the Great Plague.
A heist has taken place at the Louvre. It’s just the latest in a long line of cunning art heists.
Pat Hoffie’s I have loved/I love/I will love at Queensland Art Gallery draws of images, aired day after day, of devastation in Gaza.
In Australia, many drivers speak different ‘road languages’. Having a universal one could make us all safer.
Critical claims that One Battle After Another is the artistic antidote to fascism mistake political theatre for genuine engagement.
Social media bans suggest a resurgence of conservative values in our digital lives. But at what cost to young people’s autonomy, creativity and expression?