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Articles on Video art
Displaying 1 - 20 of 23 articles
Cao Fei’s first retrospective in Australia, My City is Yours at the Art Gallery of New South Wales, sets out to overstimulate the senses.
South Korean artist Nam June Paik showed new ways to understand the relationship between nature and technology, including in his 1974 pioneering work ‘TV Garden.’
This audiovisual installation feels like being in the middle of a science fiction film.
In The Rites of When, Angelica Mesiti considers the rituals that may mark the seasons in our burning planet. The Tank has been waiting for art like this.
Kids will probably love it. It looks like the distilled essence of Pixar’s Monster’s Inc visual appeal. Essence is the wrong word though; to be honest this is more like pastiche.
There is a long tradition in video art where artists have used existing footage to comment on and amplify social, political and environmental issues.
Through a nuanced exploration of place, time, and memory, this new video work invites audiences to reflect on landscape and its relationship to the echoes of conflict.
Love Is the Message, the Message Is Death is undeniably rousing; a love song to identity as an unrestricted thing, capable of being motivated by awe and rebellion.
From plane stairs that lead nowhere to paintings of empty towns, these artists depict the experience of Albanian immigrants.
The senior artist works across genres, much of her art reading like a stream of consciousness thoughts about contemporary life.
The air that arrives at Kennaook is said to be some of the cleanest in the world. I set up my camera and tripod, and started filming.
Broken Spectre, an immersive, 74-minute-long moving image work, is having its world premiere at the NGV.
The Body Electric features ground-breaking photography and video from the 1960s, 70s and 80s, alongside more recent work from Australian and international artists.
Prototype is a new 12-part series of Australian video art, designed to bring the genre out of the gallery and onto the smartphone.
In 1997 Pippilotti Rist walked down a street of cars and smashed their windows in a vivaciously feminist call to arms. You might recognise the homage to Risk’s work in Beyoncé’s Lemonade.
Cate Blanchett howls and contorts in RED, del kathryn barton’s ferocious exploration of female power.
Hidden underneath painting codes are the violence and bloodshed of colonial exploitation. ‘Lull’ is a daunting reminder of this.
The small, geographically isolated country of Iceland is a leader in technology, environmentalism, experimental music and feminism. And Bjork, one of its most famous exports, mines all these themes in her new Sydney exhibition.
Jesse Hlebo is troubled. The New York-based artist’s latest exhibition, In Pieces explores information overload and authenticity in the internet era – and it’s a challenging place to spend some time. Walking…
Top contributors
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Senior Lecturer, Head, Time Based Art, School of Media Arts, UNSW
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Associate Professor, School of Art, RMIT University
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Research Associate - Creative Industries, Flinders University
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Course Leader and Fine Art Programme Director, University of the Arts London
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Senior Lecturer in Journalism, Monash University
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Honorary Professor, Edith Cowan University
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Assistant Professor/Faculty Fellow of Museum Studies, New York University
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South African visual artist and senior lecturer of Art History and Visual Culture at Rhodes University, Rhodes University
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Professor of International Journalism, City St George's, University of London
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Lecturer and PhD student, RMIT University
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Emerita Professor, Art History and Curatorship, Adelaide University
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Senior Lecturer in Screen Studies, Adelaide University
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Alexander Nash Research Fellow, UCL
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Associate Professor, Art History, Education and Visual Culture, Southern Cross University
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Adjunct Professor of Art History, Australian National University