Kwame Akoto-Bamfo is changing contemporary Ghanaian art.
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As digital replicas of real people become more common in image-based industries like fashion, urgent questions are emerging about the future of work in the cultural economy.
Surrounded by skyscrapers and high-end boutiques, 47th Street continues to operate like an Old World bazaar, with million-dollar deals sealed by handshakes and insured by a family’s reputation.
From The Monkees to Mariah Carey, lip-syncers have been getting mocked for decades.
Top contributors
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Morse Alumni Distinguished Teaching Professor of Music, University of Minnesota
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Katharine T. Bartlett Professor of Law, Duke University
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PhD Candidate in Media, Technology & Culture, University of Toronto
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Associate Professor and Director of Christiansborg Archaeological Heritage Project, Associate Graduate Faculty, Rutgers University