Articles on Theatre
Displaying 81 - 100 of 464 articles
Ensemble Theatre’s exceptional and engaging production of Uncle Vanya successfully captures the essence of Chekhov’s work.
The production is doomed by a muddled script and mediocre music.
From theatre-maker Rebecca Meston, Hits has deep understanding of the almost religious experience of concerts.
Eddie Redmayne’s jagged performance embodies the extreme rupture between Weimar and Nazi culture.
It is the first time a playwright and director have been put on trial for a play in Russia.
Robert Menzies is outstanding as a physically feeble yet emotionally volatile Lear.
Anchuli Felicia King’s play American Signs at the Sydney Theatre Company thrusts us into the world of a campus hire at management consultancy ‘The Firm’.
Only a handful of plays written by women in the early modern period have survived. But the accounts of Alice Mustian’s raunchy stage show shed light on a surprising playwright and impresario.
The work highlights that there may be no singular perspective on what is right and wrong in this rather complex and nuanced world.
Using a revolving stage and moving doors, the play perfectly captures a sense of awe and fantasy in this tale about environmental responsibility and the dangers of overconsumption.
Jewish life in Canada and Argentina reflects the diversity of Jewish communities globally, and the political, social and economic evolution of each country throughout the 20th century.
Belvoir’s new play Nayika: A Dancing Girl blends music, dance and drama using a neo-classical version of Bharatanatyam dance.
In the latest higher education funding freeze: sacrificing the arts for STEM subjects makes no sense.
Angus Cerini’s Into the Shimmering World at the Sydney Theatre Company is an unforgiving and, frankly, bleak meditation on what it is to be good; what it is to live a good life.
Youth theatre encourages actors to connect with characters of canonical plays, but the trajectories of young women within them can make it hard to find redemptive or empowering touch points.
The theatre, dance and music works at this year’s festival have helped fulfil a three-pronged vision from some two decades ago.
Playwright Nathan Maynard uses the story of Adam Goodes to explore race in a local footy club.
I took my young son Heathcliff to the show, and his perspective helped me see it through a kid’s eyes.
Theatre and the arts can be vehicles for thinking globally and acting locally, embracing alternative ways of knowing and acknowledging holistic approaches to addressing climate change.
Scotland has lost a wonderful writer and artist in the Paisley-born artist.
















