The sequel successfully recaptures the unapologetic girlish silliness that made the first film so beloved.
Articles on Film
Displaying 161 - 180 of 1380 articles
‘Eddington’ follows a centuries-old narrative pattern in which disability is framed as punishment, poetic justice or moral revelation.
The film illustrates how someone’s own brain can transform them from a decent person into the villain in someone else’s story.
As a producer, I often meet with resistance when it comes to putting female athletes, pundits and presenters front and centre.
Knight can give us a Bond who is both iconic and human.
Bond films have leaned into and shifted away from the allure of hi-tech gadgetry at different times over the years.
The groundbreaking use of generative AI in final film footage begs questions of the audience that are rooted in deep human psychology.
In both cases a small penis is the cause of men’s abusive behaviour.
Great film directors can create and convey philosophical concepts through imagery, just as great philosophers do through language.
This is very much the Superman movie that Gunn wants to make. And therein lies the problem.
Commissioned by ACMI, Back to Back’s latest offering is a screen project that reenacts a section of Shakespeare’s Henry V.
This remarkable documentary was filmed at a high school in Karabash, a heavily polluted town in central southern Russia.
Thirty-two years, six Jurassic iterations and countless monstrous digital apparitions later, the wow factor is a distant memory.
In this time of profound global refugee crisis, the Moomins feel like appropriate – if unexpected – heroes for the modern age.
It is doubtful that audiences will expect a campy pantomime Bond like Roger Moore.
M3gan is back and camper than ever. And Danny Boyle returns with a Brexit-inspired zombie film.
The trilogy has thankfully avoided the common traps of remakes and the sprawling expanded universe trend, which has diluted so many other beloved franchises
Netflix’s interest in Africa is more about business than telling nuanced stories about the continent.
The killer robot is far from a simple villain. It is a mirror held up to cultural questions we have about human autonomy and responsibility in the digital age.
The film is a poignant and comical exploration of music, loss, nostalgia and hope.
Top contributors
-
Lecturer in Communications and Media, University of Notre Dame Australia
-
Associate Professor, Film Studies, University of Sydney
-
Professor of Film Studies, Bangor University
-
Professor of Film Studies
-
Senior Lecturer in Screen Studies, Adelaide University
-
Lecturer, Department of Film and Television Studies, University of Warwick
-
Professor & Dean, School of Media and Communication, RMIT University
-
Professor of Cinema, RMIT University
-
Lecturer, Department of Literature Film and Theatre Studies, University of Essex
-
Professor in Digital Arts, Royal Holloway, University of London
-
Senior Lecturer in Film, University of Roehampton
-
Lecturer in Creative Production and Performance, Western Sydney University
-
Researcher and Sessional Tutor in Screen and Cultural Studies; Secretary for the Melbourne Cinematheque, The University of Melbourne
-
Professor of Film and Television, Goldsmiths, University of London
-
Senior Lecturer, Media Studies and Production, University of Southern Queensland