I research fandoms, so I am particularly drawn to the levels of critical analysis and humour fans employ in their review videos and parodies of The Rings of Power.
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Adaptations are original cultural entities that can imitate, question, re-write, or reinterpret their source material for new audiences.
A UK court recently ruled that a man’s smart doorbell invaded his neighbour’s privacy, and he now faces being required to pay damages. But this kind of situation is avoidable.
In the war to secure exclusive content, the ability to invest in the acquisition or production of original content has become crucial ammunition.
The federal government’s fight against cocaine distribution wrongly assumes that it’s all destined for the US.
Netflix has added millions more subscribers as people practice social isolation to control the coronavirus. But service’s diverse menu of content is not an efficient business model.
Amazon says it’s the “new neighbourhood watch” but Ring may just be another technology that gives police too much data and lets neighbourhoods double down on their biases.
Netflix’s competitors are multiplying, and they’re ambitious. After Amazon Prime Video, Apple TV+, and a dozen others, Disney+ has lauched, and Netflix is clearly in the crossehairs.
Although some have dubbed the flurry of new video services coming out as a ‘streaming war,’ the reality is very different.
Movie studios are launching their own streaming apps but record labels aren’t about to do the same.
Vudu, Apple TV+, Disney +, NBC Universal: there’s going to be a lot of blood on the carpet.
Original content made by subscription and on demand platforms such as Netflix and Amazon is taking off – but what does that mean for women screenwriters and producers?
A unique set of circumstances allowed HBO to beat Netflix to the punch.
The new motoring series will be used to help launch another video on demand service in Australia. But will consumers find away to access the show and avoid paying another fee?
Streaming television may actually facilitate important forms of human interaction, like participating in politics.
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Professor of Media Studies, Queensland University of Technology
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Producer and Writer, University of Salford
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Associate Professor, Emerging Media Studies, Boston University
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Professor, Queensland University of Technology
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Associate Professor of Screen Media, Victoria University
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Business Professor, Neoma Business School
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Senior Lecturer in Management, Bayes Business School, City St George's, University of London
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Director of the Conrad School of Entrepreneurship and Business, University of Waterloo
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Professor of Law, Innovation and Society, University of Bristol
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Professor of Innovation and Strategy, Cisco Chair in Digital Business Transformation, International Institute for Management Development (IMD)
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Professor of Fantasy and Children's Literature, Co-Director, Centre for Fantasy and the Fantastic, University of Glasgow
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Professor of Strategy, King's College London
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Professeur en communication internationale, Université du Québec à Montréal (UQAM)
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Professor of Geography, The Ohio State University
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Associate Professor, Online Pedagogy & Workplace Learning, Faculty of Education, University of Windsor