The Testaments has to resolve the plot dilemmas established in The Handmaid’s Tale.
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Compared to its 1980 predecessor, the new FX series presents a more authentic portrayal of early modern Japan.
Like their cable predecessors, streaming companies have lured customers in with low rates and promises of a better viewing experience. Now they’re cashing in.
Studios say the number is unrealistic − that it amounts to actors not assuming any financial risk for content that flops. But actors simply want to adapt existing payout models to changing technology.
Publishers and studios routinely pay large sums to acquire ‘life story rights.’ Two law scholars explain why the phrase is misleading.
The writers strike lays bare all the ills of working on one of the lowest rungs of the entertainment industry.
A speech expert wonders what this says about the pressures women in leadership roles feel – and the broader cultural impulse to police the way women speak and sound.
Myths of Canada’s moral superiority in contrast to the United States can be a barrier to acknowledging and addressing racism in Canada.
Nine Perfect Strangers tries to be a satire on wellness culture — and yet celebrates its trappings all the same.
Although some have dubbed the flurry of new video services coming out as a ‘streaming war,’ the reality is very different.
Vudu, Apple TV+, Disney +, NBC Universal: there’s going to be a lot of blood on the carpet.
In ten years, Netflix has built up a streaming business with a staggering 125m subscribers. Here’s what it needs to do next.
Original content made by subscription and on demand platforms such as Netflix and Amazon is taking off – but what does that mean for women screenwriters and producers?
Next year Hulu and Google will introduce their own bundled channel services. Will it spark an online TV revolution or simply lead to more of the same?
Streaming television may actually facilitate important forms of human interaction, like participating in politics.
Netflix took everyone by surprise when it announced it was tripling its global reach for video on demand. So who are the winners and potential losers in the new deal?
A post-network era looms. What does this mean for the way we watch – and pay for – television shows?
Many refer to advances in television storytelling as novelistic or cinematic, but the medium deserves a term of its own: complex TV.
In less time than it takes for the average teenager to get bored, Yahoo has put its acquisition of blogging site Tumblr behind it and moved onto its next potential target, Hulu. A couple of years ago…
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Professor of Media Studies, Queensland University of Technology
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Professor of Sociology, University of Texas at Arlington
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Professor of Film & Media Culture, Middlebury College
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Professor of Strategic Management, Lancaster University
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Associate Professor, Emerging Media Studies, Boston University
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Producer and Writer, University of Salford
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Associate Professor of Screen Media, Victoria University
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Professor of History, University of Maryland, Baltimore County
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Associate Professor of History, Purdue University
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Senior Lecturer in English and Cultural Studies, University of Canterbury
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James T. Jensen Endowed Professor for Transactional Law and Director, Program on Intellectual Property and Technology Law, University of Utah
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Assistant Professor, Department of English and Writing Studies, Western University
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Professor of Innovation and Strategy, Cisco Chair in Digital Business Transformation, International Institute for Management Development (IMD)
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Assistant Professor of Theatre, University of Tennessee
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Baker Botts LLP Professor of Law and Research Dean, University of Houston Law Center