If the Art Gallery of New South Wales is to expand, it should go west. Wenjie, Zhang | A Certain Slant of Light

To earn its name, the Art Gallery of NSW should leave the CBD

The Art Gallery of NSW, surrounded by parkland near Sydney’s Harbour, opposite the Domain and the Botanical Gardens, is probably one of the most visitor-friendly art museums in existence. The original…
The Whitlam government’s legacy continues to be felt today, close to four decades since it lost office. AAP/Mick Tsikas

Gough Whitlam’s life and legacy: experts respond

Gough Whitlam, Labor prime minister from 1972 to 1975, has died aged 98. A giant of modern Australian politics, his passing triggered a flood of tributes on Tuesday morning. In a statement, current Labor…
An exhibition on display in Ballarat charts the fortunes of the Scots in Australia in the 19th century. John Glover, Ben Lomond, c1840. Oil on canvas 76.8 x 117.1 cm. Rex Nan Kivell Collection, National Gallery of Australia and National Library of Australia. Courtesy of Art Gallery of Ballarat

For Auld Lang Syne in Ballarat – reviewing an old acquaintance

If there is one painting that shows the dilemma at the heart of For Auld Lang Syne, an exhibition devoted to images of Scottish Australia currently showing at the Art Gallery of Ballarat, it is John Glover’s…
Researchers using the Design and Art Australia Online database no longer need to trek across the country to examine works such as Jean Goldberg’s “Wheels”. Powerhouse Museum

How the internet liberated Australia’s art history

In 2014 it is hard to remember how isolated research on art in Australia used to be. Before the web, when we were all in hard copy, it used to be almost impossible to find information on Australian art…
Audiences are invited to hop aboard Callum Morton’s Google Ghost Train as part of this year’s Biennale of Sydney. AAP Image/Quentin Jones

A first look at the 19th Biennale of Sydney

Over its 41-year history the recipe for a successful Biennale of Sydney has remained remarkably consistent. There are three ingredients and all three need to work in harmony for the exhibition to properly…
It is infantile to pick on one holding company while ignoring the central role of the Australian government. Eoin Blackwell/AAP Image

Artists’ victory over Transfield misses the bigger picture

The Biennale of Sydney, which begins on March 21, has announced it will sever ties with its founding partner Transfield, following weeks of pressure from artists angered by the company’s links to Australia’s…
This is the contemporary art exhibition we’ve been waiting for. Works by Ben Quilty and Alex Seton at the 2014 Adelaide Biennial of Australian Art. Art Gallery of South Australia

The 2014 Adelaide Biennial: ‘contemporary art as it was meant to be’

This is the exhibition we have been waiting for. This is contemporary art as it was meant to be – warning that we are experiencing the dark night of the national soul. The country that once thought of…
Gerrit Fokkema’s photographs of everyday Sydney and Canberra in the early 1980s are examples of Australian photography becoming more self-aware. These decisive snapshots of suburban life reveal an irony and conjure Fokkema’s own history growing up in Queanbeyan. Though captured in seemingly banal settings, the images intrigue, pointing to issues beyond what is represented in the frame. The housewife watering the road and a young tattooed man in front of a car are both depicted alone within a sprawling suburban landscape, suggesting the isolation and boredom in the Australian dream of home ownership. The sense of strangeness in these images is consciously sought by Fokkema, aided by his embrace of the glaring and unforgiving ‘natural’ Australian light. Purchased 1986 © Gerrit Fokkema

Australian Vernacular Photography offers a look at our reality

Opening this week, Art Gallery NSW’s latest exhibition, Australian Vernacular Photography, explores the Australian photographic landscape of the late 20th century. Hal Missingham, photographer and director…
Garry Shead’s portrait of Martin Sharp shows the artist as he lived, orchestrating a magic theatre of people and objects. Felicity Jenkins/EPA

Remembering the artist Martin Sharp – in collage

The tributes have been flowing in from friends and art critics for Martin Sharp, who died this week aged 71. The common thread linking all the tributes, all the memories, is that the artist was never alone…
The Sydney Opera House is not the only cultural institution celebrating its 40th anniversary in 2013. AAP Image/Quentin Jones

40 years on: how Gough Whitlam gave Indigenous art a boost

As you’ve no doubt noticed, celebrations are underway to mark the 40th anniversary of the Sydney Opera House – and that’s as it should be. But this year marks a few other “40ths” that have had a tremendous…
Dorrit Black’s The Bridge is one of many works celebrated in the Art Gallery of NSW’s last exhibition, Sydney Moderns. Art Gallery of New South Wales

Rushing towards the Moderns at the Art Gallery of NSW’s new exhibition

When Australian artist Lionel Lindsay wrote Addled Art, his polemic against modernism, he found one aspect of the new brash art world worth valuing. The way some artists had liberated colour was so enticing…
Modern Australian exhibitions, like the recent “Turner from the Tate” exhibition, shows just how spoilt Australian audiences are. J.M.W. Turner's Regulus, 1828, reworked 1837. AAP Image/Supplied by the Art Gallery of South Australia

Art out of the wilderness: Turner exhibition shows how far we’ve come

When visitors come to the Turner from the Tate exhibition at the National Gallery of Australia, the experience is to travel through time and space to early 19th century Britain. It was a time of social…
Women need to play a greater role at the top of Australia’s art institutions. Man in gallery image from www.shutterstock.com

Why are so many arts organisations run by blokes?

One of my favourite paintings in the Art Gallery of New South Wales is Emanuel Phillips Fox’s Art Students. It’s particularly notable because all the Melbourne Art School students pictured are women. In…
Namatjira, by Imants Tillers, which won the 2013 Wynne Prize. Art Gallery of NSW

Times change but the art establishment rolls on

It was the 1960s when a curator – who shall remain nameless – was ordered to hang Aboriginal artist Albert Namatjira’s work in his gallery. He hung the painting next to the ladies toilet with a vase of…
The editorial board of the Journal of Library Administration is the latest group of journal editors to quit over open access issues. http://www.tandfonline.com/toc/wjla20/current

Journal editorial board quits over open access principle

The entire editorial board of a US academic journal has resigned in protest over restrictions that would require scholars to wait up to 18 months before making their published research more widely available…
Art historians have welcomed the National Portrait Gallery’s move to make images available for academic use. AAP

Art historians welcome open approach to image copyright

Britain’s National Portrait Gallery has opened up its image database to allow free downloads for non-commercial and academic uses, in a move welcomed by art historians. “This is very welcome, and increasingly…
Cullen wanted to see how far he could get away with irritating the hierarchy. AAP

Academics remember grunge artist Adam Cullen

Archibald Prize-winning artist Adam Cullen died at his Blue Mountains home over the weekend. The 47 year old had been seriously ill for some time. Academics say Cullen will be remembered for his distinctive…
Vernon Ah Kee - I see Deadly people, Lex Wotton.

Judging the Archibald: the rules of the game

UPDATE: Tim Storrier has won the 2012 Archibald prize for his self-portrait, The histrionic wayfarer (after Bosch). Shortly after noon today, Steven Lowy, president of the trustees of the Art Gallery of…

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