Jeffrey Smart, Margaret Olley in the Louvre Museum. 1994–95 Tuscany, Italy. Oil on canvas 67 x 110 cm Art Gallery of New South Wales, Sydney. Bequest of Ian Whalland 1997. 85.1997

On the elegance and wry observations of Jeffrey Smart, one of Australia’s favourite painters

Jeffrey Smart is admired for his carefully structured paintings of Tuscany and Rome. This National Gallery of Australia’s centenary celebration of his birth takes the viewer back to Adelaide.
Henri Matisse, Still life with green marble table (Nature morte à la table de marbre vert) 1941. Oil on canvas, 46 x 38.5 cm. Centre Pompidou, Paris, MNAM-CCI, purchased 1945 AM 2591 P. © Succession H Matisse/Copyright Agency 2021. Photo: © Centre Pompidou, MNAM-CCI / Philippe Migeat / Dist RMN-GP

Henri Matisse was an artist of colour and sensuous line; an unerring eye until the end

Matisse: Life & Spirit is a celebration of the creativity of the master of colour.
Winner: Archibald Prize 1972: Clifton Pugh. ‘The Hon EG Whitlam’ 1972. Oil on composition board, 113.5 x 141.5 cm. © Estate of Clifton Pugh

‘I think Archie would be pleased’: 100 years of our most famous portrait prize and my almost 50 years watching it evolve

It’s 100 years since the Art Gallery of NSW first held the Archibald Prize. Though loathed by some critics, it is an annual snapshot of the kind of society we are, and who our heroes might be.
Arthur Streeton The vanishing forest 1934, oil on canvas, 122.5 x 122.5 cm. On loan to the Art Gallery of Ballarat from the Estate of Margery Pierce

Streeton: an optimistic celebration of the golden boy of Australian art

A major new exhibition presents a nuanced view of Arthur Streeton who, in his lifetime, was praised as being the artist ‘who has shown us our land as no one else has done’.
Archibald Prize 2020 finalist Blak Douglas (aka Adam Hill), Writing in the sand, synthetic polymer paint on canvas, 250 x 250 cm © the artist. Photo: AGNSW, Felicity Jenkins Sitter: Dujuan Hoosen - documentary star ('In my blood it runs')

‘The most refreshing Archibald exhibition I can remember’: the 2020 portrait prize finalists

Most years, the Archibald exhibition is worth viewing as an amusing exercise in social history. This year it is worth seeing for the art.

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