The Name of the Sister begins in classic genre territory: a young woman is found stumbling down an outback road, without the power of speech and without an apparent identity.
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Director Paul Goldman’s film could have shone a new light on the more difficult aspects of Australian masculinity. Sadly, it ends up feeling contrived.
New Aussie horror Birdeater feels like it’s a new entry in this New Wave, filtered through an anarchic Australian sensibility. But after 40 minutes it fizzles out.
