Gene Roddenberry’s vision has been upheld by diverse casting, but storylines remain within mainstream 20th-century ideas of gender and identity.
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Those calling it slavery fan fiction are ignoring the long, nuanced tradition of articles and films that wonder what would have happened if the South had won.
All men must die, so the young women have grown up to take control.
It’s not the ‘bad hombres’ but the middle-class white guys who are the baddies of this US crime drama.
Be prepared to be scared and informed in equal measure by the next series of this cult show.
How will the reboot of the popular series about lesbians deal with cultural change since the original aired?
It’s gritty and gripping in equal measure, but the swords and snowstorm narrative also answers a number of basic human needs.
The series has divided critics: many have praised its sensitive depiction of rape and suicide, others have said it romantises taking one’s own life.
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Senior Lecturer in Literature and Cultural Studies, University of East London
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Professor of Film Studies, Bangor University
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Senior Lecturer, Media Studies and Production, University of Southern Queensland
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Lecturer, Language and Culture, Keele University
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Lecturer (casual) at Sydney College of the Arts; Adjunct Lecturer Auro University, University of Sydney
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Senior Lecturer in Film and Media Studies, University of Portsmouth
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University of Cambridge, University of Cambridge
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Lecturer n History, The Open University
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University of Cambridge
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Senior Lecturer in English Literature and Film, Manchester Metropolitan University
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Professor of Medieval Literature and English Literature, Bangor University
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Reader in English, De Montfort University
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PhD Candidate, social media and online culture, University of Cambridge
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Doctoral Researcher, Aston University
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Senior Lecturer: Director MSc Animation and VFX MDes Comics & Graphic Novels, University of Dundee