Angus Cerini’s Into the Shimmering World at the Sydney Theatre Company is an unforgiving and, frankly, bleak meditation on what it is to be good; what it is to live a good life.
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Eamon Flack’s production captures well – and with a lovely, light touch – the sense of fleeting memories that are, nevertheless, still available to us.
Playwright Nathan Maynard uses the story of Adam Goodes to explore race in a local footy club.
Across the program, I was struck by how it was often more in the act of putting on and performing the work, rather than their spoken content, that expressed political responses to our times.
While there is much to praise in The Lehman Trilogy, now playing in Sydney, the impression I was left with was one of a missed opportunity.
Louis Nowra is one of the most significant Australian playwrights of the past 40 years. Griffith Theatre Company is staging a trilogy of his work.
In Black Swan State Theatre Company’s new production The Pool, playwright Steve Rodgers’ love of swimming is the play’s genesis
Van Badham’s A Fool in Love at the Sydney Theatre Company lampoons the modern Sydney vibe: a city obsessed with wealth, status and, of course, love.
Is That You, Ruthie? is a harrowing account of a mother and daughter’s attempt to repair their fractured relationship.
This production by Western Australian interdisciplinary theatre makers Too Close to the Sun is an experiential encounter with the liminal space between life and death.
The serious and subtle aspects of The Seagull – many of which continue to resonate today – are lost in this new production.
Dirty Birds at Black Swan State Theatre Company is the debut play by the McElhinney sisters, and the first time they’ve shared the stage.
Anna Goldsworthy’s lively writing deftly captures the joy and wilful naivety of a first pregnancy, followed by the overwhelming love and sleep-deprivation-induced anxiety of the first months.
Eamon Flack gives Bulgakov’s classic epic novel a riotous interpretation.
The play captures the light and dark sides of the beautiful game.
This new work from Sport for Jove is more daring and ambitious than a mere adaptation of Shakespeare’s poem.
Written by comedian Harry Hill, it’s a hectic hour-and-a-half of high-energy songs and skits.
My Sister Jill disrupts ideas of colonial glory with a troubling depiction of family violence, PTSD, homophobia and the ruinous intergenerational impacts of patriarchal oppression on everyone.
Verity Laughton’s stage adaptation of Pip Williams’ best-selling book is a a very clever realisation.
Oscar Wilde’s extraordinary script is delivered with sharp wit by an extraordinary cast and placed within a production that exploits the dialogue for its viciously comic potential.
Top contributors
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Associate Professor of English Literature, University of Sydney
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Senior Lecturer in Theatre, The University of Melbourne
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Research Affiliate, Monash University
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Researcher, The Australian Centre, The University of Melbourne
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Lecturer, Performing Arts, Adelaide University
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Lecturer in English and Writing, University of Sydney
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Senior Lecturer, Discipline of English and Writing, University of Sydney
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Senior Lecturer in Art and Performance, Deakin University
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Lecturer, Te Herenga Waka — Victoria University of Wellington
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Associate Professor of Theatre Arts, Curtin University
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Associate Professor & Postgraduate Research Coordinator, Western Australian Academy of Performing Arts, Edith Cowan University
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Associate professor in Theatre and Performance Studies, UNSW
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Professor of Creative Arts, Griffith University
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Senior Lecturer in Theatre and Performance, UNSW
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Lecturer in English, University of Newcastle