Some viewers purposefully seek out spoilers, others skip scenes with characters they don’t like. The advent of streaming has made viewers more actives and producers should take note.
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What can we take away from this epic fail of a reboot as a society that continues to undervalue women and shun open discussions of age, class, race and sex?
Stigmatiser les victimes de viol est lourd de conséquences. Il les réduit au silence, protège les violeurs, les décourage à se faire consulter et à réclamer justice.
The practice of blaming and stigmatising rape survivors has devastating consequences. It silences them and protects rapists. It discourages survivors from accessing healthcare and pursuing justice.
The flamboyant big-cat aficionados of the Gilded Age weren’t strangers to fierce competition, threats and bizarre drama.
The audience for women’s professional hockey is waiting to be recognized and realized by the same energy and commitment broadcasters devote to men’s hockey.
Two TV show have hit our screens coincidentally during the pandemic: dystopian thriller Y: The Last Man and black comedy Creamerie — both theorising a world entirely without men.
A tragic accident resulted in the shooting death of a cinematographer on the set of actor Alec Baldwin’s latest movie. The dangers of more guns on set extend to society, two scholars argue.
If women are to have a public voice in Ghana’s media ecology then a great deal more needs to happen.
Streaming platforms have introduced to thousands of hyper-specific categories and genres that shape our tastes.
With pricing flexibility, the ability to capture data on viewers and the promise of attracting new subscribers, film premieres on streaming services are a no-brainer for studio executives.
The subject of a new biopic, Tammy Faye was a televangelist icon. But she also represented another side of the evangelical coin – one that was big-hearted, vulnerable and accepting.
A stage musical adaptation is just the newest addition to the cottage industry which is Round The Twist nostalgia.
The Wire was a Greek tragedy, a novel and a bingeworthy social commentary.
Global spending on product placements is expected to top $23 billion in 2021, about a 14% increase over the previous year.
The #MyOrthodoxLife movement challenges both mainstream and ultra-Orthodox media to tell more nuanced and complex stories about Jewish women.
There’s something satisfying about how grimy, disastrous and flawed Ace and Iggy are allowed to be in this new SBS web series.
Australian TV drama series have shrunk in length from their heyday, and broadcasters are making 20% less of them than they did two decades ago.
Big Brother Naija has a strong hold on the Nigerian public. Why?
For 20 years, Jodi McAlister has been watching The Bold and The Beautiful. Under lockdown, again, she finds comfort in the reliable rhythms of a slow-drip soap opera set in the world of high fashion.
Top contributors
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Associate Professor of Screen Media, Victoria University
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Professor of Media Studies, Queensland University of Technology
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Associate Professor in Media, University of Technology Sydney
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Associate Professor and Cinema and Screen Studies Discipline Leader, Swinburne University of Technology
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Professor of Television & Media Studies, University of Leeds
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Professor & Dean, School of Media and Communication, RMIT University
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Lecturer, Digital Communication, RMIT University
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Former Honorary Research Associate, School of Media and Communication, RMIT University
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Senior Lecturer, School of Media, Film and Journalism, Monash University
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Professor in Digital Media and Cutural Studies, Queensland University of Technology
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Senior Lecturer in English Literature, Charles Sturt University
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Professor of Sociology, University of Texas at Arlington
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Associate Professor, Film Screen & Animation, Queensland University of Technology
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Lecturer in Journalism, University of Technology Sydney
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Senior Lecturer in Sport Management, Deakin University