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Articles on RuPaul's Drag Race
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The Vivienne rose to international fame by winning the first series of reality television competition RuPaul’s Drag Race UK in 2019.
Our film and TV experts review a host of new streaming picks, including the final season of acclaimed mockumentary What We Do In The Shadows.
On Drag Race Down Under, Michelle Visage has become the authority who determines who sashays and who stays in the fierce contest.
O'Grady’s camp creation built on the legacy of drag artists that came before him and helped change the visibility of LGBTQ+ people in the UK.
Drag’s power is its contribution to the de-stigmatisation of LGBTQ+ people, which is needed to enhance their self-worth and wellbeing.
Long before Drag Race, Carlotta was foundational in establishing a specifically Aussie mode of drag: outlandish, flamboyant, irreverent and ocker.
A straight cis-man could have made “herstory” as “America’s Next Drag Superstar.” Drag Race’s inclusion problem botches racialized queer histories, community discomfort and ally participation.
Top contributors
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Senior Lecturer in Media Studies, Swinburne University of Technology
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Vanier Scholar and PhD researcher, Department of English and Cultural Studies, McMaster University
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Senior Lecturer in Marketing, University of Glasgow
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Lecturer, School of Media and Communication, RMIT University
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Associate professor, IÉSEG School of Management
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Lecturer in Marketing, University of Bristol
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PhD Candidate in Film, Media & Communication, University of Portsmouth
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Senior Lecturer in History, La Trobe University
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Senior Lecturer in Screen Studies, Adelaide University
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Senior Lecturer in Education (Curriculum and Pedagogy), University of the Sunshine Coast
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Editorial Web Developer, The Conversation
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Dennis Altman is a Friend of The Conversation.
Vice Chancellor's Fellow and Professorial Fellow, Institute for Human Security and Social Change, La Trobe University
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Senior Lecturer in English and Cultural Studies, University of Canterbury
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Professor & Dean, School of Media and Communication, RMIT University
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Assistant Professor in Literary Studies and Gender Studies, Centre for the Arts in Society (LUCAS), Leiden University