Stop! That! Train! is a lot of fun, so long as you’re someone who doesn’t take yourself too seriously.
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On Drag Race Down Under, Michelle Visage has become the authority who determines who sashays and who stays in the fierce contest.
Because public access TV was relatively unregulated, shows could talk about sexual health and air racier segments that would have otherwise been censored on broadcast networks.
O'Grady’s camp creation built on the legacy of drag artists that came before him and helped change the visibility of LGBTQ+ people in the UK.
As we wait for the finalists of Drag Race All Stars Season 6 to “lip-sync for their legacy!” what can we learn from the “herstory” of lip-syncing in drag?
Drag Down Under airs this Saturday. It will be intriguing to see how this slick TV show — built on US histories of drag — approaches the Australian drag tradition.
Top contributors
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Senior Lecturer in Media Studies, Swinburne University of Technology
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Postdoctoral Fellow, Trans+ People in Forced Labour Project, University of Victoria
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PhD Candidate in Film, Media & Communication, University of Portsmouth
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Visiting Assistant Professor of Gender & Sexuality Studies, Kenyon College
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Senior Lecturer in History, La Trobe University
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Professor of Creative Practice and Visual Cultures (Media, Arts and Humanities), University of Sussex