Vigil shies away from elaborating on the perils of its subjects: late capitalism and the climate apocalypse.
Articles on Postmodern literature
Displaying all articles
Departure(s) sketches out the limits of Julian Barnes’ aspirations for his art.
Infinite Jest is a kind of geological cross-section of a writer and a literary culture at a moment of major upheaval.
With Shadow Ticket, Pynchon reminds us the line between chaos and order, corruption and truth, remains as thin, porous and perilous as ever.
What can a grisly meth-fuelled murder in northern Minnesota’s Iron Range tell us about post-industrial decline and the malaise of contemporary America?
Vineland is set in Reagan’s America: an era of conservative backlash and retreat from progressive ideals. Paul Thomas Anderson’s adaptation reflects similar trends now.
In his thoughtful new novel about people turning into trees, Rhett Davis puts postmodernism and myth through the figurative woodchipper.
Two fascinating new novels are not particularly difficult, but their relationship to established traditions of experimental literature is clear.
Short-circuiting the language of literary value, permanently wrongfooting the custodians of taste, Gravity’s Rainbow proposes a new way of thinking about what we treasure most.
Joyce Carol Oates saw Blonde, her epic novel interrogating the legend of Marilyn Monroe, as ‘my Moby Dick’. Mel Campbell celebrates Oates’ achievement, in the lead-up to the Netflix adaptation.
Top contributors
-
Lecturer in English Literature, Adelaide University
-
Jury Professor of English and Language and Literature, Adelaide University
-
Senior Lecturer, Discipline of English and Writing, University of Sydney
-
Senior Lecturer in Creative Writing, University of Wollongong
-
Chair in Creative Writing, Adelaide University
-
Subject Coordinator, Publishing and Communications, The University of Melbourne
-
Senior Lecturer, Creative Writing and English, Edith Cowan University