The differences between live action and animation are not as pronounced as might be expected in films made 15 years apart.
Articles on Film review
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This is Verona as filtered through a Eurovision lens.
Lollipop is the polar opposite of middle class fantasies of working class life.
Plus a bold debut work from a young Palesthinan writer and a new album from a misunderstood 90s band.
The Philippou brothers have done it again. You won’t be able to watch – but you won’t be able to look away.
Heading to the coast for fresh air, walks and dips has been prescribed for those looking to improve their health for hundreds of years.
It is impossible to think of an actor other than Nicolas Cage who could make The Surfer so enjoyable to watch.
The film’s vampire, Remmick, has come to Mississippi from Ireland.
The film is an unrelenting depiction of 21st-century battle.
Playing on a sort of fabricated nostalgia for the 80s, this film presents a version of the period that lacks any real insight or depth.
The Correspondent is based on the jailing of Australian journalist Peter Greste and his Al Jazeera English colleagues. It is a masterclass in political subtlety.
Odysseus has returned home but his biggest challenge is still ahead of him, winning back the woman he loves.
The End tells the story of a wealthy family who survived the collapse of the climate and civilisation in a bunker inside an abandoned mine.
This week we recommend a series about the dangers of the manosphere, an exhibition in Oxford, a play in Bristol, a historical game and a record-breaking animated film.
Again and again, Bonhoeffer substitutes conventionalised melodrama for difficult history.
Set in the year 2054, Mickey 17 follows a mission to establish a human settlement on an alien planet in a future in which human beings can be replicated on demand.
This Joker is supported by a slew of recognisable Batman villains, such as the Riddler, Mr Freeze and Poison Ivy.
The film covers themes of belonging, identity and the struggle of trying to straddle different cultural worlds.
Every so often a film comes along that’s so good we find ourselves forgetting to breathe. Inside is one of those films.
Grief is not about building a new life without the person you’ve lost but about finding new ways of incorporating them into your ongoing reality.
Top contributors
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Lecturer in Communications and Media, University of Notre Dame Australia
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Professor, Director of the Centre for Robotics, Queensland University of Technology
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Senior Lecturer in Screen Studies, Adelaide University
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Professor of Film Studies
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Postdoctoral Research Fellow, The University of Queensland
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Lecturer in Theatre, Australian Catholic University
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Senior Lecturer in Film History in the School of Society and Environment, Queen Mary University of London
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Research Fellow, Robotics & AI, Queensland University of Technology
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Senior Lecturer in Media and Communication, Anglia Ruskin University
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Honorary Professor, Edith Cowan University
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Senior Lecturer in Media, Adelaide University
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Lecturer, Screen Studies, The University of Melbourne
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Senior Lecturer in Illustration and Animation, Adelaide University ; University of Newcastle
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Associate Professor and Cinema and Screen Studies Discipline Leader, Swinburne University of Technology
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Director of Learning and Teaching, School of Arts., Western Sydney University