Evil Dead’s shared universe doesn’t behave like other modern franchises.
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In some ways, the new film has been four decades in the making. And it all comes down to Mattel’s savvy franchising strategy, starting in the 1980s.
Wolf Man promises to be a contemporary, stripped-back retelling of one of Universal’s most iconic characters.
The seemingly chaotic nature of the Fast Saga’s development is central to the Furious-verse’s appeal.
A new book explores the enormous Alien franchise spawned by the 1979 film.
We’ve had books, films, plays, theme parks, bars and endless paraphernalia. But after more than 20 years of Harry Potter mania, its commercial spell might finally be waning.
Are our interests shifting away from film and towards TV series? As media changes, is there even a difference between TV and film?
Top contributors
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Assistant Professor in Film and Screen Studies, University of Nottingham
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Teaching Associate in Media and Cultural Studies, University of Nottingham
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Professor of Marketing and Consumer Behaviour, Queensland University of Technology
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Senior Lecturer in Film, Liverpool Hope University
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Lecturer in Film, Exhibition and Curation, University of Edinburgh
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Associate Professor of Marketing, Tasmanian School of Business and Economics, University of Tasmania
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Professor of Film Studies, Bangor University
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Lecturer in Heritage Studies and Cultural Industries, University of Leeds
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Professor of Film and Screen Studies, University of Portsmouth
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Emeritus Professor, University of Tasmania
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Senior Lecturer in Law, University of New England