On entering the exhibition, visitors are immersed in the world of the late medieval birthing chamber.
Articles on Exhibition
Displaying 21 - 40 of 106 articles
Dickens was drawn to women who were brilliant, expressive and creative.
This is the challenge of the Kahlo legacy: the more ubiquitous her image becomes, the more its original and liberating meaning risks being flattened.
Women’s experiences of pain – and how pain is felt, understood and lived through the body – sit at the heart of the exhibition.
A trove of century-old belongings − from farm tools to pillowcases − tells the story of Filipinos who migrated to California to build a new life, a journey now honored in a Smithsonian exhibition.
The earliest works in the Geelong exhibition include a layered charcoal drawing of Lewer’s childhood church. It was here he made his first confession.
Thirteen artists with ancestral lands in south Asia, Africa and the Caribbean are subverting the role drawing has played in conquest and colonialism.
Maps have always both granted power and threatened it, depending on who controls the data, the scale and the narrative.
The festival invites reflection on what happens when languages and homelands are lost.
Van Gogh sought to evoke the character and soul of the sitter.
A rare chance to see his edits, doodles interviews and more.
The exhibition was dedicated to ‘all those who have the courage to disagree’.
The new show at Blackburn Museum and Art Gallery covers the late medieval age to the Arts and Crafts Movement.
Photography possesses a certain built-in bluntness that can lend itself to images that are destabilizing and dryly funny.
The exhibition was shaped by deep collaboration with scientists, artists, ecologists, activists and coastal communities.
The artworks in Sea Inside offer ways of engaging with the existential threats facing our oceans that are emotive, imaginative and often very funny.
The exhibition unites the incredible works of two outstanding personalities of the Regency era.
Together, the works on display form an evolving self-portrait of the artist.
This engaging exhibition tells the story of the Thames and London through time.
Rodney’s work is an anathema to today’s market-driven art world.
Top contributors
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Professor of History and Policy, University of Westminster
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Joanna Mendelssohn is a Friend of The Conversation.
Honorary Senior Fellow, School of Culture and Communication, The University of Melbourne
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Senior Lecturer, Art and Public Engagement, King's College London
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Adjunct Professor of Art History, Australian National University
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Honorary Senior Lecturer, Australian National University
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Lecturer, School of Art & Design, Nottingham Trent University
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Personal Chair of 19th-Century Art, History of Art, University of Edinburgh
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Senior Lecturer in Literacies and Language, University of Sheffield
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Professor in Performing Arts, University of East London
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PhD Candidate, Visual Culture, University of Westminster
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Senior Lecturer in Visual Culture, Sheffield Hallam University
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Visiting Lecturer, BA Fine Art Mixed Media, University of Westminster
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Visiting Professor of Social Inequities and Injustice, Loughborough University
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Senior research fellow, Adelaide University
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Research Degrees Coordinatior, School of Art, Architecture and Design, Adelaide University