If you still haven’t seen this movie about a jazz pianist whose soul goes on a great adventure, it’s about time you did.
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Advertisers forked over $5.5 million for a mere 30 seconds of air time during the Super Bowl. Here’s Twitter’s verdict on which brands got social media bang for their bucks.
Born Christmas day, 1909, Mary Shepard greatly helped shape the image of Mary Poppins that carries through to today.
In children’s media, pain is depicted alarmingly frequently, usually unrealistically and often violently, but without empathy or help. These images of pain send all the wrong messages.
Gen Z have been collaboratively writing Ratatouille the Musical on TikTok – but what do the terms of service say about who owns the art?
The film about old toys and new turns 25 this year. Heralded as the first computer animated film, a re-examination indicates it was cautiously innovative rather than a complete break with the past.
The 97-year-old media conglomerate has changed its business strategy and is focusing most of its energy on its streaming platform, Disney+.
A battle is raging between distributors with expensive blockbusters and cinemas with empty seats.
The story of Mulan has been told and retold for 1,600 years. This latest version is more conservative, when it comes to a woman’s place, than one told in the 17th century.
Many great innovators have personality traits in common. Comfort with uncertainty is critical, but passion, curiosity and a number of other learnable skills can prime you for an innovate idea.
In a surprising twist, Frozen 2 tackles the complicated issue of warped colonial narratives and the case for repatriation. A worthy feat, but how well does Disney pull it off?
Princess movies and opera alike reveal the limited number of models available to women. “Le Dernier Sorcier”, composed by Pauline Viardot in 1869, shows that a much richer world is possible.
Real-life adherents to the Mandela Effect veer into conspiratorial thinking. But they do hit on an important truth: Our understanding of history is malleable.
Netflix’s competitors are multiplying, and they’re ambitious. After Amazon Prime Video, Apple TV+, and a dozen others, Disney+ has lauched, and Netflix is clearly in the crossehairs.
Although some have dubbed the flurry of new video services coming out as a ‘streaming war,’ the reality is very different.
Giants like Disney and NBCUniversal have been locked in the horns of a business problem known as the innovator’s dilemma.
Aladdin draws on hundreds of years of anti-Muslim sentiment in western culture.
‘The Lion King’ illustrates how a child moves through five stages of grief with the support of loving friends, family and community.
While the 2019 ‘Aladdin’ is a big improvement from the 1992 version, it still recycles some old tropes.
Vudu, Apple TV+, Disney +, NBC Universal: there’s going to be a lot of blood on the carpet.
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Professor of Media Studies, Queensland University of Technology
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Associate Professor in Film Studies, University of Southampton
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Assistant Teaching Professor of Critical Sports Studies, University of Colorado Boulder
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Senior Lecturer and Programme Leader for Performance, University of the West of Scotland
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Associate Professor in Film and Television Studies, University of Warwick
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Associate Dean of Learning, Teaching, and Student Success and Lecturer in Media, Art and Communication, Sheffield Hallam University
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Senior Lecturer in Liberal Arts and Visual Cultures Education, Department of Interdisciplinary Humanities, King's College London
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Lecturer in Film and Television Studies, University of Hull
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Senior Lecturer, Head of Department Design Innovation, Maynooth University
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Visiting Researcher in Journalism, Media and Cultural Studies, Cardiff University
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Associate Professor in Literary Studies, Monash University
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Senior lecturer, Business School, University of Huddersfield
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Director of UWA Centre for Software Practice, The University of Western Australia
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Lecturer in Film and Television, University of Glasgow
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Professor in American Media and Culture, University of Kent