A new generation has been disrupting traditional publishing using new technologies and marketing methods.
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Over a third of Australians read audiobooks. Spotify’s audiobook offering means more choices for listeners – but those who make both music and books are concerned about the impact on incomes.
Serena Williams’s investment in a Nigerian digital company shows why the country’s technology sector is attractive.
In many other countries, a majority of research publications are now open access, but the system of paying for access still dominates academic publishing in Australia.
Don’t be fooled by the ‘indie’ rhetoric surrounding the new imprint of Penguin Random House Canada, a multinational corporation. Only time will tell if it will do much for the diversification of Can-Lit.
Criticism of ebooks is the last thing you’d expect from the chief executive of global publishing company Hachette Livre.
Top contributors
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Emeritus Professor of English and New Media, Bournemouth University
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Economist and Postgraduate Supervisor, University of Lancashire; Keele University
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Associate Professor, Department of English, Carleton University
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Dean of Research, Humanities, Curtin University
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ARC DECRA Fellow and Senior Lecturer in English, Australian National University
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Assistant Professor, Harvard University