The term “meme” was coined in 1976. Today, these cultural artefacts have gone viral, and are redrawing the boundaries of acceptable political discourse.
Articles on Digital art
Displaying 21 - 29 of 29 articles
We don’t just hold our phones, we cradle them – and make films like this one with them.
The greatest tool of artists is their imagination but throw in a computer and things never imagined become possible.
From education to sport to sex, virtual reality has dozens of applications, and we’re only just scratching the surface of its potential today.
Memory has become prosthetic – outsourced to the internet. But remembering, not forgetting, is the enemy of creative reinvention.
Time travelling back into internet art of the past, the contrast between today’s paranoia and banality and the early optimism that initially greeted it is striking.
That traditional monolith of culture, the museum, has begun to embrace the digital world. As a series of projects reveal, the possibilities are endless.
Latin America might have found itself on the dark side of the “digital divide” over the last 20 years or so, but this hasn’t impeded the development of digital arts there.
It seems we are headed towards a world where augmented reality (AR) systems will be as common as smartphones are today – it’s already about to revolutionise medicine, entertainment, the lives of disabled…
Top contributors
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Affiliate Faculty of Computer Science, University of Washington
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Lecturer in Digital Media, CQUniversity Australia
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Senior Lecturer in Writing, Bangor University
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Lecturer, Directorate Teaching Program, Lecturer in Interactive Art Media, FFAM, The University of Melbourne
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Professor in department Law, Managment, and Social Sciences, EM Lyon Business School
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Associate Professor of Design Science, Queensland University of Technology
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Lecturer in American Studies, University of Hull
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Researcher in Virtual Reality, Auckland University of Technology
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Professor in Hispanic Studies, University of Liverpool
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Professor and Dean of Humanities, University of the Witwatersrand
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Professor in Digital Arts, Royal Holloway, University of London
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Professor of Computer Science and Director of the Art & AI Lab, Rutgers University
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Lecturer in Financial Technology, University of Strathclyde
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Research Professor of Computing, Informatics and Decision Systems Engineering, Arizona State University
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Assistant Professor in Digital Arts and Humanities, University of Canberra