Articles on CanCon
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The Juno awards remind us that cultural institutions have the power to reinforce national pride, and also invite critical reflection, dissent and re-imagination.
The controversy is about the Israeli-Palestinian conflict interfering with the world of Canadian letters, but also reveals antagonistic ideas about literature’s social role.
Two exhibits share stories of legendary Canadian children’s television. Examining this underappreciated and rich history will help ensure the industry is prioritized in policy decisions.
Understanding how Netflix, to date, has fostered screen sector equity and capacity matters as the CRTC consults about Canadian and Indigenous content.
The Online Streaming Act is set to soon become law in Canada. The act is a step in the right direction, but more needs to be done to support BIPOC content.
Here’s how radio Canadian content policy started, and how Canadian legislation, C-11, could contribute to supporting and growing home-grown music in the digital era.
Canada’s extension of copyright might be good for corporations that hold copyrights, but it’s bad news for creators and the public.
Critics who ignore or simply miss the Jewishness of the ‘Schitt’s Creek’ characters fail to appreciate this key aspect of the show’s inclusive reach and appeal to diverse viewers.
Powers in Bill C-10 will force YouTube and TikTok to make CanCon more discoverable, skewing our searches and streams — but it’s unconstitutional.
Renting locations, hotel rooms, offices and cast trailers can eat the lion’s share of a budget. We rented an off-season summer camp and won best feature film at the Chicago Comedy Film Festival 2020.
Shows like ‘Schitt’s Creek’ and ‘Letterkenny’ upend how we imagine rural Canada to be. The small-town dynamics represented are wonderful presentations of what it means to be human.







