Articles on Canadian content
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Canadians fund our public media at a far lower level than many countries, but this could change if CBC articulated a strong vision for the digital and AI age.
The Juno awards remind us that cultural institutions have the power to reinforce national pride, and also invite critical reflection, dissent and re-imagination.
Several key policy changes and corporate consolidations have enabled smaller, riskier and explicitly Canadian projects to come to the screen.
Disclosing AI use on music platforms shouldn’t give streaming platforms a free pass to flood catalogues with AI content. Listeners deserve clear and transparent labelling.
What qualifies as CanCon is tied in with who profits. Current debates are centred on how intellectual property and AI will be handled, and how big streamers will be forced to pay into it.
As big streaming companies fight legislative requirements to pay into Canadian content, the story of satellite radio exemplifies competing commercial and public interests in policymaking.
Two exhibits share stories of legendary Canadian children’s television. Examining this underappreciated and rich history will help ensure the industry is prioritized in policy decisions.
Understanding how Netflix, to date, has fostered screen sector equity and capacity matters as the CRTC consults about Canadian and Indigenous content.
Here’s how radio Canadian content policy started, and how Canadian legislation, C-11, could contribute to supporting and growing home-grown music in the digital era.
Powers in Bill C-10 will force YouTube and TikTok to make CanCon more discoverable, skewing our searches and streams — but it’s unconstitutional.





