Articles on autofiction
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Life of M bleeds fact into fiction, but it requires much more of the reader than a simple guessing game of who’s who.
Debra Adelaide’s new book, When I Am Sixty-Four, is a complex, devastating and often funny love letter to her friend, the late Gabrielle Carey.
Interest in Allen’s latest album goes beyond celebrity gossip, resonating with audiences for its raw contemplation of contemporary heterosexuality.
The process of telling our truth may be cathartic at the time, but it can also re-open old wounds.
The Interpreters is a new anthology of creative nonfiction that opens an intriguing window on South Africa.
Stand-up comedy has always been autobiographical, but now a new generation of comedians are adapting their lives (or some version of it) into scripted series.
The six books on this year’s Miles Franklin shortlist vary in style, themes and the writers’ experience, with veteran novelists and debuts – including an international prize-winner and a 26-year-old.
Margeurite Duras’s fictionalised account of a teenage affair with a much older Chinese man has been criticised as a kind of retro-Orientalist Lolita. But that does her iconic novel an injustice.
Bret Easton Ellis’s first novel in 13 years blurs fact and fiction, mining his youth for material. The result is Joan Didion meets Brian De Palma.
Writing from lived experience often has legitimacy, but autofiction has fictional elements that trouble the autobiographical pact.
Annie Ernaux is the first French woman to win the Nobel Prize for Literature. Her autofiction masterpiece, The Years, has been called a modern In Search of Lost Time.
Sophie Cunningham’s novel about Leonard Woolf and the contemporary writer attempting to tell his story is wry and earnest – and yes, devastating when it needs to be.
One of the first contemporary personal narratives about living with HIV in the 21st century, Fever urgently interrogates the social meanings of HIV, and how they’ve evolved in the era of treatment.












