The Backrooms began with a single image: a claustrophobic warren of tawdrily yellow, windowless rooms with aged carpets and harsh overhead fluorescent lights.
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For more than a decade, self-professed cinephiles have flocked to the studio for edgy content. But how long can it retain its cult status?
‘Eddington’ follows a centuries-old narrative pattern in which disability is framed as punishment, poetic justice or moral revelation.
Top contributors
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Lecturer, Disability Studies, King's University College, Western University
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Lecturer, Cinema and Screen Studies, Swinburne University of Technology
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Associate Professor, Media, Swinburne University of Technology
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Lecturer in Security and Protection Science, Lancaster University
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Professor in Marketing and Consumer Culture Studies, Lancaster University