This innovative production combines Sophocles’ revenge play with Ingmar Bergman’s film to explore ideas of identity and performativity.
- Vice-Dean of Education and Senior Lecturer, School of Performing and Digital Arts, Royal Holloway, University of London
This new production offers glimpses of how Shakespeare’s most famous tragedy might have unfolded differently.
The experimental Belgian theatre director believes Miller’s works lend themselves well to the emotional savagery of Greek tragedy.
The play makes a clear statement about Indhu Rubasingham’s thoughts on the power of the theatre and what audiences might expect under her leadership.
Born With Teeth offers a clever exploration of theatrical collaboration and queer desire.
Two concurrent London productions of Oedipus might seem like overkill, but they actually worked to demonstrate the versatility of the tragic form.
If policing the audience during the play is necessary, perhaps the casting or the nudity needs reconsidering, otherwise both simply read as gimmicks.
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