Cio-Cio-San (centre) during a dress rehearsal of Opera Australia’s Madama Butterfly at the Sydney Opera House in Sydney in 2019. Works such as this are attracting criticism from some modern audiences. Stephen Saphore/AAP

Opera is stuck in a racist, sexist past, while many in the audience have moved on

Opera companies around the world are grappling with an ever-widening gap between a repertoire frozen in time and an increasingly critical audience.

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