Dr Caitlin Vincent is a Senior Lecturer in Creative Industries and an ARC DECRA Fellow at the University of Melbourne. Key areas of interest include opera, cultural labour, digital performance, and equity, diversity and inclusion. Dr Vincent has an extensive record of publication across traditional and non-traditional research outputs and has gained international recognition for her expertise in operatic labour markets. She is the author of Digital Scenography in Opera in the Twenty-First Century (Routledge 2021) and OPERA WARS: Inside the World of Opera and the Battles for its Future (Scribner 2026).

A classically-trained soprano and award-winning opera librettist, Dr. Vincent's works have been performed by Washington National Opera, SUNY Potsdam, the University of Connecticut, the Schubert Club of Minnesota, Vassar College, the Oxford Lieder Festival, and Wigmore Hall, among others.

Experience

  • 2019–present
    Lecturer in Creative Industries, University of Melbourne

Education

  • 2019 
    Deakin University, Doctor of Philosophy
  • 2009 
    Peabody Conservatory of The Johns Hopkins University, Master of Music
  • 2007 
    Harvard College, Bachelor of Arts

Publications

  • 2021
    Digital Scenography in Opera in the Twenty-First Century, Routledge
  • 2021
    Who Did You Meet at the Venice Biennale? Education-to-Work Transition Enhancers for Aspiring Arts Professionals in Australia, Work, Employment and Society
  • 2021
    Opera-ting on inequality: gender representation in creative roles at The Royal Opera, Cultural Trends
  • 2019
    Controversy, uncertainty and the diverse public in cultural diplomacy: Australia-China relations, Australian Journal of International Affairs
  • 2018
    Notation by Context: Digital Scenography as Artefact of Authorial Intent, Leonardo Music Journal
  • 2017
    The Intersection of Live and Digital: New Technical Classifications for Digital Scenography in Opera, Theatre and Performance Design
  • 2016
    Artwork spawning artwork: trans-disciplinary approaches to artistic spin-offs and evolution in the digital context (CHAPTER), Digital Echoes: Spaces for Intangible and Performance-Based Cultural Heritage
  • 2016
    Navigating control and illusion: functional interactivity versus 'faux-interactivity' in transmedia dance performance, International Journal of Performance Arts and Digital Media

Contact Caitlin for

  • General
  • Media request
  • Speaking request
  • Consulting / Advising
  • Research collaboration