Actor Simon Baker at a press conference in Canberra on Tuesday calling for a local content quota on streaming services. Lukas Coch/AAP

How local content rules on streamers could seriously backfire

Pursuing local content requirements on streaming services is a high risk, low reward campaign. The reality is global streamers can’t save Australian television.
Evie Macdonald in First Day (2017), which won a prestigious children’s television award earlier this year. Epic Films

Why it’s time to end the policy limbo threatening Australian children’s TV

Amid endless reviews into the future of local screen content, uncertainty reigns on issues such as the impact of Netflix, the fate of local content quotas and funding for original children’s TV.
Keanu Reeves and Lily Collins in To the Bone (2017), which follows a young woman struggling with an eating disorder. AMBI Group, Sparkhouse Media, Mockingbird Pictures

As local networks retreat, Netflix is filling the gap in teen TV

Netflix’s edgy teen dramas attract criticism, but it is targeting a demographic that Australian broadcasters have almost entirely abandoned. We need more local stories that speak to teenagers.
Ebonnie Masini and Rian McLean in Round the Twist (1989), one of Australia’s most fondly remembered children’s TV dramas. Australian Children's Television Foundation

The slow death of Australian children’s TV drama

TV networks must produce new local children’s TV drama each year - but they are increasingly making animation, with little sense of place. We need shows that will reflect kids’ lives back to them.
In the absence of content quotas, the broadcaster’s children’s offerings seem vulnerable to cuts. ABC

No dramas? What budget cuts signal for homegrown children’s shows on ABC3

We know the ABC is facing tough times, given the decision last year to cut its budget by A$254 million over five years. But how hard are those cuts falling on locally-produced children’s TV?

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