WORD MADE FLESH at the Australian Centre for Contemporary Art is a comprehensive survey of this singular artist’s work.
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Broken Spectre, an immersive, 74-minute-long moving image work, is having its world premiere at the NGV.
Waanyi woman Judy Watson and second-generation Anglo immigrant Helen Johnson both use archival materials to explore Australia’s violent history.
Embodied Knowledge: Queensland Contemporary Art is a celebration of women, people of colour and LGBTIQA+ artists.
Descendants of the Bidjara, Ghungalu and Garingbal peoples, two renowned artists come together in this family exhibition.
Their modernist interpretations of Australia in the interwar period have both a complexity and a simplicity.
From the botanical gardens to the art gallery, Adelaide’s winter is awash with light.
From J.M.W. Turner to Yayoi Kusama, this exhibition explores 200 years of art about light.
Pure Form at the Art Gallery of South Australia brings together some of Japan’s most interesting post-war art.
Land Abounds, created for Ngununggula in the heart of NSW’s Southern Highlands questions the comfort of the Australian landscape tradition
The Picasso Century at the National Gallery of Victoria is a remarkable exhibition that may change the way you will view Picasso.
Daniel Boyd’s solo exhibition Treasure Island, now at the Art Gallery of New South Wales, is a deeply political and personal interrogation of Australia’s colonial history.
Wearing edits life while Sherman imitates it, in these pieces in conversation at Melbourne’s PHOTO 2022.
The aesthetically captivating 23rd edition of the biennale shows how art can contribute to debates around environmental sustainability.
The ‘queer gaze’ is presenting a new and alternative reading for art of the past and of the present.
Sebastian Goldspink’s 2022 Adelaide Biennial of Australian Art: Free/State is a conceptual riposte to this colonial settler history, and much more.
This new exhibition at the Heide Museum of Modern Art traces the themes of Nolan’s expansive and prolific career.
Vivienne Binns burst on to the art scene in 1967 – and she has been making art her own way ever since.
Bark painting in Yirrkala is a tradition of antiquity – but it is constantly reinvented, as this stunning exhibition of contemporary women’s work attests.
Jeffrey Smart is admired for his carefully structured paintings of Tuscany and Rome. This National Gallery of Australia’s centenary celebration of his birth takes the viewer back to Adelaide.
Top contributors
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Adjunct Professor of Art History, Australian National University
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Joanna Mendelssohn is a Friend of The Conversation.
Honorary Senior Fellow, School of Culture and Communication, The University of Melbourne
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Emerita Professor, Art History and Curatorship, Adelaide University
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Senior Lecturer of Art History, Griffith University
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Senior Industry Fellow, RMIT University
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Associate Professor, School of Art, RMIT University
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Associate Professor, Art History, Education and Visual Culture, Southern Cross University
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Professor & Dean, School of Media and Communication, RMIT University
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Honorary Professor, Edith Cowan University
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Senior Lecturer and Programme Leader in Fine Art , University of Lincoln
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Associate Professor Visual Communication, University of Technology Sydney
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Lecturer and Researcher in Plant Humanities, UNSW
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Senior Research Fellow, Victorian College of the Arts, The University of Melbourne
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Senior Lecturer in Media, Macquarie University
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Senior Lecturer, Art History and Curatorial Studies, Australian National University