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Christopher Kulendran Thomas, The Finesse, 2022, in collaboration with Annika Kuhlmann, installation view, Data Dreams: Art and AI, Museum of Contemporary Art Australia, Sydney, 2025, multi-channel video (37:03 minutes, looped) on LED screens with HD projection, featuring sculptures by Aṇaṅkuperuntinaivarkal Inkaaleneraam and architectural drawings from the Earth Net Archives. Image courtesy the artist and Museum of Contemporary Art Australia © the artist, photograph: Hamish McIntosh.

AI ‘dreams’ up new realities. How does this impact the way we understand our own dreaming?

Data Dreams: Art and AI is at the Museum of Contemporary Art brings together artists who make visible the tensions of ever-present AI.
Grace Crowley, Les baigneuses (The bathers), 1928, oil on canvas on hardboard, 45.2 × 64.2 cm. National Gallery of Australia, gift of the artist 1979 © Reproduced with permission of Grace Crowley Estate

These Australian women modernist painters were overlooked, and forgotten. A century later, they are in the spotlight

Dangerously Modern, on now at the Art Gallery of New South Wales, marks an exciting new chapter in the project of reclaiming forgotten women artists.
Alexandra Peters, The Infinite Image (detail), Defenestration (Autoantibodies), acrylic and water-based ink with screen-print medium and paste on leatherette and Leg Over Leg V, commercial carpet, 2025, installation view, Primavera 2025: Young Australian Artists, Museum of Contemporary Art Australia, Sydney, 2025. Image courtesy the artist and Museum of Contemporary Art Australia © the artist, photograph: Hamish McIntosh

At Primavera 2025, young Australian artists consider making art in the age of commodities

The Museum of Contemporary Art’s exhibition of artists under 35 asks what it means for artists to create in a post-industrial age of reproduction.
Jacky Cheng, Imaginary Homelands, 2025, installation view, The Neighbour at the Gate, National Art School Gallery, Sydney, 2025. Image courtesy and © the artist, photograph: Peter Morgan

A new exhibition is a thoughtful examination of the lasting relationship between Asia and Australia

The Neighbour at the Gate at Sydney’s National Art School Gallery presents a thoughtful examination of the consequences when good neighbours become good friends.
Installation view of French Impressionism from the Museum of Fine Arts, Boston on display from June 6 to October 5, at NGV International, Melbourne. Photo: Sean Fennessy

‘There are too many unpleasant things in life without creating more’: why Impressionism is the world’s favourite art movement

French Impressionism from the Museum of Fine Arts, Boston, at the National Gallery of Victoria, features over a 100 of these pleasant, cheerful and pretty paintings.

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