For those who struggle with regulating home temperatures or have limited access to resources, the consistent warmth provided by cinemas can be a crucial relief.
Articles on UK cinema
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Like the exemplars of social realist cinema, Mr Bates vs The Post Office follows stories of individual plight facing a social problem filmed in a naturalistic manner.
Industry connections have always made it easier to break into Hollywood. But the problem isn’t just American.
A wave of new horror films leant into Tony Blair’s Asbo policy demonising young working class men, portraying them as the monsters that society should be scared of.
A moral panic fanned by the tabloid press led to crusaders seeking legislation to regulate the home video industry and a slew of low-budget horror films.
A battle is raging between distributors with expensive blockbusters and cinemas with empty seats.
There’s something special about “going to the cinema” and the collective experience of watching a film.
The first world war drama is the latest feature film to claim to be a single continuous take. This list takes a look at those films that have tried and achieved the ‘oner’ before.
Carry On films have been compared to a Leave voter’s wet dream. But they were more thoughtful and honest than that.
There was an outcry in the LGBT community when the ending of Fiona Shaw’s bestselling novel was changed for the film.
Top contributors
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Associate Professor of Film And Creative Practice Research, University of Staffordshire
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Programme leader for film and television, University of Hertfordshire
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Senior Lecturer in Media and Communication, Cardiff University
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Doctoral Researcher in Cinema, Sheffield Hallam University
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Senior Lecturer In Film and Media, York St John University
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Senior Lecturer in Creative Writing, Northumbria University, Newcastle
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Professor of Film, York St John University
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Research Associate in Theatre, FIlm, Television and Interactive edia, University of York
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Associate Professor of Film and Media Industries, University of Staffordshire
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Associate Professor and Course Leader for Film and Media Studies, York St John University