K-pop with non-Korean stars is becoming more common
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Kaos is a thrilling romp about gods and mortals vying for power and influence over the cosmos.
The show charts the journey of a group of young men aged between 19 and 23 through a strict, 100-day training process, leading to their debut as a band called Dear Alice.
While the producers of the show have said Critical Incident isn’t a ‘cop show’, it certainly playd out like one – and will appeal to fans of the genre.
Interview with the Vampire season two asks: ‘What happens to trauma, if you live forever?’
The wacky and weird hyper-violent series is coming to a close but there is so much more to fill the gap it leaves.
Few people want to talk about the end of their lives but we all must do.
Broadcasters often reach for verse to inspire fans and heighten the drama of sporting events.
Sutherland lent his star status to acting projects dissecting political and psychological aspects of fascism, including work with Italian filmmaker Bernardo Bertolucci and singer Kate Bush.
Even before writing was invented, oral stories had to be constantly told and retold to be passed down through hundreds of generations.
Just as the novel drew attention to the whiteness of the chick-lit genre, the TV adaptation draws attention to the whiteness of chick-flicks.
Punk is a spirit as much as it is a sound.
Because public access TV was relatively unregulated, shows could talk about sexual health and air racier segments that would have otherwise been censored on broadcast networks.
Product placement has been allowed on UK TV for more than a decade, but changing viewer habits mean it’s only recently come into its own as a revenue stream.
Baby Reindeer, the autobiographical Netflix series about one comedian’s experience of stalking, has consistently been in the streamer’s top ten most-watched since its release. The story follows barman-cum-comedian…
Thanks to streaming, multilingual film and TV is exploding, and it’s helping to enhance the viewer experience.
Indigenous media have rapidly expanded over the last 30 years with Indigenous media makers gaining greater control of their narratives.
A harrowing and important depiction of a male victim of sexual abuse.
This show has lots to say about the confusing time of life in your 30s, when some friends are settling down while others have just booked tickets for a pagan festival.
What do popular TV shows say about the modern gentleman – and how can this inform our understanding of (healthy) masculinity?
Top contributors
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Associate Professor in Media, University of Technology Sydney
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Lecturer, Digital Communication, RMIT University
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Professor of Media Studies, Queensland University of Technology
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Professor of Television & Media Studies, University of Leeds
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Reader in Modern Political History, Loughborough University
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Associate Professor in Literary Studies, Monash University
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Senior Lecturer in Media, Film and Cultural Studies, University of Sussex
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Senior Lecturer in Korean Studies, University of Sheffield
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Former Honorary Research Associate, School of Media and Communication, RMIT University
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Dean of Research (Creative), Adelaide University
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Professor of Film Studies, Bangor University
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Scholar in Media and Cultural Studies, Macquarie University
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Senior Lecturer in English and Cultural Studies, University of Canterbury
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Associate Professor of Screen Media, Victoria University
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Senior Lecturer in American Studies, University of Sydney