From the opening of this new eight-part series on Binge, High Country feels in steady hands.
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The show’s creators have gone beyond cheap and overused stereotypes to allow for a more realistic depiction of contemporary indigenous lives.
Looking for a good crime read? Our experts recommend these page-turners by writers from Italy, Japan, Israel, New Zealand and Finland.
Works of fiction are brimming with economic principles, but perhaps none more so than the detective story.
There’s more prestige than ever on our screens – but there’s also gender problem both in terms of the reception of female-centred shows – and the treatment of female creator-showrunners.
The Appalachia of the West’s gritty landscape is an ideal setting for the popular series’ second season.
Narrative power is produced through sophisticated storytelling, as evidenced by Breaking Bad, House of Cards, The Wire, Mad Men and many others.
Many refer to advances in television storytelling as novelistic or cinematic, but the medium deserves a term of its own: complex TV.
The American TV drama Fargo (2014-) was today awarded the gong for outstanding miniseries at the 2014 Emmy Awards and top-shelf TV productions are basking in the recognition, with a few shows – Fargo…
This article contains spoilers. Ne raillons pas les fous; leur folie dure plus longtemps que la nôtre … Voila toute la difference. So begins The Repairer of Reputations, the opening story to Robert W Chambers…
There was a time, a long time, like from 1996 to about 2011, when many men couldn’t look at Matthew McConaughey’s mug without wanting to punch it. He was so good looking – tall, lean, tan and with that…
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Associate Professor of Public Health Communication, University of California, Merced
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Professor Emeritus of English Literature, Harper College
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Teaches in School of Justice, Queensland University of Technology
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Senior Lecturer in American Studies, University of Sydney
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Professor of Film & Media Culture, Middlebury College
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Associate Professor, School of Languages, Literatures, Cultures and Linguistics and Fellow of the Australian Academy of Humanities, Monash University
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Associate Professor in Cinema Studies, RMIT University