Sydney Theatre Company now has an interim artistic director, after the sudden departure of Jonathan Church. A flagship theatre company can transform a city’s view of its place in the world, which is why the role is so important.
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Mathematics can help musicians and music enthusiasts create rhythms that would be hard to play manually or to otherwise compose.
The way we experience music has changed. So, what should the 21st-century music classroom look like?
The reason why some of us can’t help but to dance, and others can’t hold a beat, might lie in the brain.
An expanded program of interactive performances for children at this year’s Melbourne Fringe Festival harnesses their audience’s innate creative abilities and invites them to both watch and join in.
For a growing number of artists, academics, researchers and scientists, dance represents a promising new frontier of exploration. The annual DANscienCE festival shines a spotlight on their findings.
A retrospective of the work of American choreographer Trisha Brown (1936-) will be presented at the Melbourne Festival this month. In the performance Early Works, we will have a chance to revisit this…
Top contributors
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Professor of Music Education, University of South Florida
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Professor of Cognitive Science, Western Sydney University
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The University of Melbourne
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Pro Vice-Chancellor (Academic Programs and Partnerships), Queensland University of Technology
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Leader of the Sydney Music, Mind, & Body Lab, University of Sydney
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Macquarie University Research Fellow, Macquarie University
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Postdoctoral Research Fellow in Music Cognition and Computation, Western Sydney University
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Head of School of Culture and Communication, The University of Melbourne