- Professor of Music Education, University of South Florida
I teach "Progressive Music Education Methods" and "Creative Performance Chamber Ensemble" at the undergraduate level and "Philosophy of Music Education" and "Creative Thinking in Music" at the graduate level. My work is at the nexus between creativity and curriculum change.
Experience
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2010–presentAssociate Professor of Music Education, University of South Florida
Education
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2010Michigan State University, Doctor of Philosophy, Music Education
Publications
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2020Music teacher as music producer: How to turn your music classroom into a center for musical creativity., New York: Oxford University Press.
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2020To Create: Imagining the good life through music. , Chicago, IL: GIA Publishing.
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2019Measuring music teachers’ creative identities: A cross-cultural comparison of the United States and Singapore., British Journal of Music Education, 36, 197-210.
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2019Measuring music teachers’ creative identities: A cross-cultural comparison of the United States and Singapore. British Journal of Music Education, 36, 197-210., British Journal of Music Education, 36, 197-210.
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2019Measuring music teachers’ creative identities: A cross-cultural comparison of the United States and Singapore., British Journal of Music Education, 36, 197-210.
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2018An evaluation of modern band: Popular music, creativity, and student engagement., Journal of Popular Music Education, 2(3), 217-230.
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2018Measuring self-perceptions of creative identity: A cross-cultural comparison of the creative identities of pre-service music teachers in the United States and Australia., Music Education Research, 20(2), 231-241.
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2017Music education’s hero collective: Joseph Campbell’s monomyth and change conceptualization., Journal of Genius & Eminence, 2(2), 88-94.
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2016Measuring self-perceptions of creative identity: A cross-cultural comparison of the creative identities of pre-service music teachers in the United States and Australia., Music Education Research, __(_), __-__.
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2015A quest for the perfect tone: Luthiering, pedal boards, and curriculum expansion., Journal of Music, Technology & Education, 8(2), 183-197.
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2015The power of popular music in fueling the soundtrack to our lives., Perspectives: The Journal of the Early Childhood Music and Movement Association, 10(3), 14-17.
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2015Connecting ideas to practice: The development of an undergraduate student’s philosophy of music education in the United States., International Journal of Music Education, Published online before print May 5, 2015, doi: 10.1177/0255761415581150
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2015“Are you in a band?!”: Participatory (improvisatory) music making in pre-service music teacher education., International Journal of Community Music, 8(1), 59-72. DOI: 10.1386/ijcm.8.1.59_1
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2015Music education: Navigating the future., New York: Routledge.
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2014Validation and further validation of a measure of creative identity among United States and Finland pre-service music teachers., British Journal of Music Education http://dx.doi.org/10.1017/S0265051714000151
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2014Using the iPad in musical performance: New pathways., Kansas Music Review. http://kmr.ksmea.org/?issue=201314s§ion=articles&page=ipad
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2014Evaluating the reliability of the consensual assessment technique in the measurement of individual and small group creativity., Music Education Research, DOI:10.1080/14613808.2014.909398
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2013How composers approach teaching composition: Strategies for music teachers., Music Educators Journal, 99(3), 51-57.
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2013Being an iPadist., General Music Today, 27(1), 48-51.
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2013Musicianship: Composing in band and orchestra., Chicago, IL: GIA Publishing.
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2013A theory of change in music education., Music Education Research, 15(4), 471-485.
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2012A first comparison of pre-service music teachers’ identities as creative musicians in the United States and England., Research Studies in Music Education, 34(2), 115-129.
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2012Music teacher as writer and producer., Journal of Aesthetic Education, 46(3), 36-52.
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2011Phenomenology: A review of literature., Update: Applications of Research in Music Education, 30(2), 11-21.
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2011What is a good musician?: An analysis of student beliefs., Arts Education Policy Review, 112(1), 1-8.
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2011“The hero’s journey:” A way of viewing music teacher socialization., Journal of Music Teacher Education, 1057083711403000, first published on March 29, 2011 as doi:10.1177/1057083711403000.
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2010The relationship of compositional experiences of high school instrumentalists to music self-concept., Bulletin of the Council for Research in Music Education, 184, 7-18.
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2010Eminence in music education research as measured in ‘The new handbook on music teaching and learning.’, Bulletin of the Council for Research in Music Education, 183, 55-76.
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2009Student composers’ expressed meaning of composition with regard to culture., Music Education Research International, 3, 42-53.
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2009“That’s my piece, that’s my signature, and it means more . . .”: Creative identity and the ensemble teacher/arranger., Research Studies in Music Education, 31(1), 52-68.
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2009Creating a philosophy of music education: Finding meaning and purpose in the mystery., Michigan Music Educator, 47(1), 22-24.
Honours
2015 Michael L. Mark Music Research Award Winner - University of Michigan
Contact Clint for
- General
- Media request
- Speaking request
- Consulting / Advising
- Research collaboration
- Research supervision
- Location: Tampa, Florida, U.S.
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