No country emerging from prolonged civil war is ever sufficiently prepared for elections.
Articles on Succession
Displaying 1 - 20 of 42 articles
Gabriel Sherman, author of the latest and shortest Murdoch biography, is an outstanding journalist. But does he have something new to say about the media mogul?
South Sudan’s laws provide a 48-hour window to name a successor to guarantee continuity with minimal friction.
“When they make a wasteland, they call it ‘peace,‘” wrote the Roman historian Tacitus, in a turn of phrase that a classics scholar says has been relevant for centuries – including right now.
Australia’s economy is heavily reliant on family firms. Getting succession planning right is crucial.
Biosphere 2 isn’t just the site of a famous human experiment. Today, scientists there work to understand how life emerges in barren environments.
Selling the right-wing news network might cool the family tensions, and it would capitalise on the network’s market value.
Dairy farms are struggling to survive as production costs exceed sales. The result, consolidation, with more cows on bigger farms, has an impact on communities and knowing where your food comes from.
Women – and daughters-in-law in particular – are often seen as a threat to the continuity of the family farm, and tactically excluded from succession plans.
The media mogul wants to change his “irrevocable trust” so that eldest son Lachlan has total control and maintains his media outlets’ right-wing agenda.
Even the most careful trust planning is no substitute for family harmony.
New research reveals star scientists contribute surprisingly little to scientific discovery.
Should luxury brands display their logo on everything?
How technology is central to the show’s most dramatic and pivotal moments – and how it might define its legacy.
Education, contacts and luck can play a considerable role when it comes to building up wealth.
Though we desire the Succession ending we want, we long for something that violently prevents us from getting it at the exact same time.
Composer Nicholas Britell festoons earnest Romantic music with sounds that gleefully desecrate it, underscoring the show’s emotional core: a lust for power joined by immense self-loathing.
In the end, nobody gets what they want – but they do, arguably, all get what they deserve.
Think about what story it is you want to tell about your loved one, how you want it to end and what you want your audience to take home.
From the first frame of the theme song, it is clear craft and imagination are deeply valued throughout the show’s entire soundtrack.
Top contributors
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Senior Lecturer in Film, Television & Cultural Studies, University of the West of Scotland
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Adjunct Professor of Journalism, La Trobe University
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Researcher at the Austrian Institute for International Affairs, Österreichisches Institut für Internationale Politik (OIIP)
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Professor, Strategy and Entrepreneurship PhD Program Director, University of Colorado Boulder
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Senior Lecturer in Journalism and Television, Nottingham Trent University
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Professor of Social Work, CQUniversity Australia
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Lecturer in Finance, United Arab Emirates University
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Research Associate, Australian Catholic University; Adelaide University
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Executive Manager, Family Enterprise Legacy Institute (FELI), L’Université d’Ottawa/University of Ottawa
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Professor of Finance, University of Portsmouth
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Lecturer in Psychology, University of Liverpool
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Continuing Lecturer in Writing, University of California, Santa Barbara
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Full Professor and Patricia Saputo Distinguished Professor in Family Enterprise. Academic Director of the Family Enterprise Legacy Institute (FELI), L’Université d’Ottawa/University of Ottawa
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Assistant Professor of Music, University of California, Berkeley
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Reader in Education with Psychology and Centre for Death and Society, University of Bath