The play captures the light and dark sides of the beautiful game.
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Guston’s complex engagement with racialised evil caused a contentious three-year delay in the exhibition opening.
Written by comedian Harry Hill, it’s a hectic hour-and-a-half of high-energy songs and skits.
There is a liberal splattering of gore, with the obligatory twisting heads and spewing of foul liquids.
In the US, where Fair Play is set, women didn’t gain the legal right to be members of the New York Stock Exchange until 1967.
The elegance of classical ballet beautifully coalesces with the gritty, aggressive nature of heavy metal music.
The Bloomsbury group’s distaste for formality helped to set the foundations for how we dress today.
Ordinary, everyday experiences of the pandemic, such as mask wearing and quarantining, are rendered extraordinary through the show’s melodrama.
A powerful play that puts the voices of the people first.
While the film obviously appeals to women, it is men who really need to watch it.
It’s Keaton’s razor-edged, comedic darkness that allows the film to gather emotional depth.
Binding Ties is the first Australian survey exhibition of Catherine Opie, one of the world’s leading photographic artists, at the Heide Museum of Modern Art in Melbourne.
A new exhibition pays homage to the king of sequins, who combines detailed, traditional techniques with unconventional materials.
Sasha Huber’s work often involves renaming colonial landmarks, including a mountain in Switzerland.
Women Talking is a meditation on how we tell stories of rape and a thoughtful exploration of how films can be made.
Latecomers looks at the role of sex and sexuality in the lives of disabled people.
D.H. Lawrence’s book is a seething commentary on class, exposing his fears for Britain’s future. But the film is a romantic period drama.
In Cold Enough for Snow, the award-winning author’s careful attention to detail, precise language and sympathetic sensibility animate a reflection on intimacy and intergenerational tensions.
A youth-focussed exhibition about experiences of mental health is interactive and expansive, kicking down the barriers between science and art.
When the future is clearly changing but we can’t focus on tomorrow, should we just keep dancing? Pamela Rabe anchors the absurdity of The Cherry Orchard.
Top contributors
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Lecturer in Communications and Media, University of Notre Dame Australia
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Research Affiliate, Monash University
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Joanna Mendelssohn is a Friend of The Conversation.
Honorary Senior Fellow, School of Culture and Communication, The University of Melbourne
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Honorary Associate, Department of Theatre and Performance Studies, University of Sydney
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Associate Professor of English Literature, University of Sydney
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Associate Dean of Humanities and Social Sciences, University of Winchester
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Visiting Professor of Social Inequities and Injustice, Loughborough University
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Lecturer, Learning & Teaching Innovation, Flinders University
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Senior Lecturer in Musicology, University of Sydney
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Research Associate - Creative Industries, Flinders University
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Professor of Creative Arts, Griffith University
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Senior Lecturer, Art and Public Engagement, King's College London
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Professor of Classics and Head of the Centre for Classical Studies, Australian National University
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Research associate, Monash University
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Research fellow, Monash University