Peterson stands among the greatest virtuosi of musical history. He voiced stylistic grace, impeccable command of his instrument and the execution of spiritual freedom.
Articles on Musical improvisation
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Audiences love improvised, off-the-cuff entertainment, and new research suggests it’s because spontaneity seems to offer a glimpse of the performer’s authentic self.
Zulu spirituality and the legacy of the ancestors, personal and musical, are the concerns of the saxophonist and composer.
Machines have been getting better at mimicking improvisation. But can this distinctly human process serve as a bulwark against the mechanization of life and art?
Meditations on improvisation in a year of both COVID-19 and what some called ‘the other pandemic’ of racism push us to go deeper to find ways to sustain healthy public common life.
Improvisation asks us to trust that surprise will teach us something. As we enter a new year and a post-pandemic landscape, musical improvisation offers inspiration.
Top contributors
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Professor, School of English and Theatre Studies, University of Guelph
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Professor of music, School for Studies in Art and Culture, Carleton University
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Full Professor, School of English and Theatre Studies, University of Guelph
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Assistant Professor of Music Theory and Affiliate Assistant Professor in the Center for Arts, Migration, and Entrepreneurship, University of Florida
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Assistant Professor of Music and Culture in the Department of Arts, Culture and Media, University of Toronto
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Associate of the Gordon Institute for Business Science, University of Pretoria
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Assistant Professor of Marketing, Cornell University
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Assistant Professor of Marketing, University of Wisconsin-Milwaukee
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Professor of Music, Carleton University
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Professor and Jazz camp instructor, Carleton University