AI is already in much of the music you hear. It can be as mundane as a production tool or as deceptive as a fake recording artist – and a whole lot in between.
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Although she’s the world’s reigning pop star, attitudes toward Swift are split markedly along both partisan and gender lines.
The Midnight Oil drummer and songwriter Rob Hirst has died at 70 from pancreatic cancer.
Love or hate him, people remain fascinated with Morrissey.
The 75-year-old pop star is part of a generation of Iranians in the diaspora who are watching, with bated breath, as their compatriots seek to topple the Islamic Republic.
Sixty years of improvisational experience, gave Weir’s guitar playing an inimitable feel.
I had reservations about these tools and how they might affect me as a musician, but I was also intrigued by the possibilities.
Most people experience earworms at least weekly, especially if you listen to a lot of music.
This December marks Daphne Oram’s centenary. She was a visionary and a key influence in the history of electronic music.
Most voice-swapping technologies are used by male producers, usually presenting as female artists.
There are beautiful, melodic moments aplenty.
Your data is being collected and served back to you in a fun way. You might be limiting you taste in following its design for you.
Sleigh bells have long acted as convenient shorthand for composers to tell their listeners that this piece belongs to the Christmas canon.
Can (or will) Spotify be held legally accountable for hosting AI knockoffs of real bands? An expert explains.
After a decade dabbling in different genres, Gaga’s return to gothic synth-pop reminds us why she became an icon in the first place.
The soul singer-turned-R&B sex symbol Teddy Pendergrass helped define the Sound of Philadelphia in the 1970s.
Noongar dance can restore connections between those who live in Perth and the sharks who swim in the city’s river.
Roots reggae, thrash metal and pop punk add new layers to familiar holiday tropes.
Policies designed to support and promote local content remain stuck in a previous era. NZ should follow the interventionist approach of other countries.
The horror film genre is driven by sound as much as image. Anxiety thrives not in what we can see, but in what we can’t.
Top contributors
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Associate Dean of Humanities and Social Sciences, University of Winchester
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Reader in Music, Politics and Society, Newcastle University
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Associate Professor, Music Industry, RMIT University
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Head of School of Psychology and Speech Pathology, Curtin University
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Piano Performance Fellow, The University of Queensland
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Associate Professor in Media, University of Technology Sydney
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Senior Lecturer in Music, Southern Cross University
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Principal Fellow and Professor of Music, The University of Melbourne
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Professor of Music, Australian Catholic University
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Academic in the School of Education and Creative Arts, University of Southern Queensland
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Lecturer in Music Industry and Popular Culture, RMIT University
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Professor of Appalachian Studies and Bluegrass, Old-Time and Roots Music Studies, East Tennessee State University
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Professor of Music, Culture and Society, City St George's, University of London
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Professor of Religious Studies, Michigan State University
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Vice-Chancellor's Senior Research Fellow in Music Industries and Cultural Economy, RMIT University