Showing now at Sydney’s Museum of Contemporary Art, Not a Souvenir forces us to confront Australia’s colonial kitsch culture.
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Much of the tourism industry that’s sprung up around Amish areas says more about Americans’ own identity than Amish values, a scholar writes.
Thanks to the popularity of shows such as RuPaul’s Drag Race, camp is now mainstream. This is perhaps one reason Eurovision has suddenly become perceived as cool.
Bursting with bubblegum Scandi-pop, this glitzy, sequinned melodrama might just be the thing to fill that discoball-shaped hole left by this year’s cancelled Eurovision.
Kitsch has slowly become the main cultural reference for all that surrounds us, and thrives in propaganda.




